Thứ Tư, 27 tháng 6, 2018

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Hello everyone, how are you all?

This week let's talk about why you should provide video feedbacks instead of verbal or written ones.

Did you know? Providing feedback is the most effective way for students to learn better.

Video feedbacks provide students the opportunity to listen repeatedly to the feedback

and self-assess their skills and capabilities.

Teachers can ask students to give feedback on what they have learned

so you know whether your teaching is helping them to achieve the intended learning outcomes.

Then, you can then change your teaching style wherever necessary.

For example: Spending more time on a particular topic if your students are struggling to understand it.

This is how it works.

As a teacher you might be stacked up with loads of work in and out of class.

And, if you're still using same old methods of giving verbal or written feedback.

You need to allocate some extra hours or spend your valuable class time.

Also your students might feel uncomfortable if you're giving feedback in front of their peers.

So, try video feedback. As they can save loads of your time and you can record them anywhere and at anytime.

You can not only turn your feedback personalized but also you can focus,

highlight your students' errors using annotation tools.

This way your students to see their errors visually, understand the type of errors they are making

and connect them with your audio comments.

This way video feedback can help your students to improve their learning outcomes

and prevent them from repeating their mistakes.

So these are some of the benefits of why you should provide

video feedback instead of verbal or written ones.

So, if you've got any add-ons, leave a comment below or reach out to us at this email id.

See you all next week! Bye:)

For more infomation >> Why feedback is important in education? - Duration: 1:43.

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Baldi's Basics VS Advanced Education With Viktor Strobovski: The REAL TRUTH - Duration: 10:36.

Baldi's Basics is a rage inducing pile of dickbags that brought me to the point of mental

frustration on the same level as talking with someone who consistently and unironically

uses the word hecka.

It made me scream, it made me yell and it literally brought me to rage quitting while

streaming it.

I would have gladly taken a reverse catheter pumping sesame seeds backup my urethra in

exchange for never touching that game again.

And then the internet had an idea…"Let's make a Baldi's Basics fan game, only bitchier

and bullshittier with some dude who is probably Russian named Viktor Strobovski."

*sigh* This game.. is my nightmare come alive.

It's Baldi's Basics, but on crack with a stick up its ass.

There's more going on.

It's more confusing, scarier, weirder, and all around just creepy.

Now I'm assuming it's a Baldi's Basics fan game, specifically because its almost

exactly the same in terms of style, gameplay, and "story" so to speak.

However, Mr. Dr. Nose, which is me assuming the pronunciation of the creators name, didn't

bother to specify that it is indeed a Baldi fan game.

But..it totally is.

And a game made in the shadow of another brings about the never ending question: Which one

is better?

It's this question that's asked with sequels, we see it with prequels and with games made

by the same developer or in the same genre, *cough* Pubg Fortnite *cough*.

But rarely ever do we have this debate with a fan game.

But the event of having fan game made after Baldi's Basics poses a unique circumstance.

It allows for a true debate as to which is better because the original game could barely

classify as a game.

Alright maybe that's a bit harsh...but as much as I hate to admit it, there's actually

a lot to talk about when comparing these two things that resemble video games.

So stick in your catheter and stock up on sesame seeds, we're going to find out the

truth about Viktor Stromboni and Baldi's Basics, the real truth!

Hit it!

Intro

Now I need to make a bit of a editorial note before we go any further.

You see this download page for Advanced Education with Viktor Strobovski?

This guy is releasing new updates in less than a week, sometimes as quick as 3 days,

which works out great for a Let's Player, but not for a channel like us who takes multiple

days to make a video.

So there will likely be changes to the game between the creation of this video and when

you actually see it, however the video's point will still ring true!

So just be aware that he may have added in more stuff we didn't cover, but if necessary

we can do another video on this game since it's getting updated so quickly!

Sounds good?

Cool.

Alright let's start off by taking care of the blatantly obvious.

These games are super similar in a lot of ways right?

You've got a dick of a teacher, he wants to hit you with his prefered whacking apparatus,

and you gotta get out of his school.

Each game allows you to answer math questions strewn about the school that are in notebooks.

Answering questions wrong makes the teacher more angry, which equates to him speeding

up with a greater desire to whack you.

The schools can be somewhat difficult to navigate on your first time through because a lot of

it looks exactly the same.

But that's part of the difficulty built into the games, you need to actually know

the school layout pretty well.

Once you get all the notebooks you can escape the school and you "win" so to speak.

Those are the basics of both games, but if we look at Viktor Stroganoff, we can see how

he has adapted his school from Baldi's.

First off, it's much bigger and more confusing, there's an outdoor area, a medical room,

an actual cook in the cafeteria, many more items laying around, and tons and tons of

classrooms.

Recall that Baldi has seven notebooks you need to solve...well Viktor actually has three

more notebooks (which makes ten) AND a secret eleventh notebook after that.

His questions are way more involved, can include multiplication and division - like you actually

need to do real math to solve his problems.

In addition to that, if Viktor Stromboli actually catches you, you're treated to this: which

is way scarier than this:

Now we all are fairly used to jumpscares on this channel (thanks FNAF), but there's

obviously a massive difference between these two.

Baldi's isn't really… scary, or a jumpscare.

He's kinda like foxy from FNAF 1, he just kinda appears and you are like, "oh.

I died".

Now with Viktor, scary stuff happens!

There's animation, there's setting, there's darkness, and it makes a huge difference in

the feel of the game.

And with games that are supposed to be indie horror, the feel and the setting create a

lot of that necessary creepiness.

Baldi is very bright, colorful, not really scary in any way (it is a parody after all).

But with Viktor Strongbad, you can feel it, you know something isn't right.

It's obvious in his voice, it's obvious in the school, and it's obvious in his "I'm

gonna kill a hostage every hour" voice modulator.

Everything just puts your hairs on their tippy toes.

If we're going for atmosphere, Viktor Strobe Light has the obvious advantage here.

Let's move onto story, yes, we're actually going to discuss the story, or lack-thereof

within these games.

Baldi's Basics has a very simple story, you're going back to school to collect your

friends notebook.

Your teacher is insane, and you gotta get out before you get a beating.

If you manage to get every question wrong and still escape you're rewarded with the

most headphone warning necessary ending of all time wherein Filename2 essentially tells

you that he's trapped in the game and to get out.

Roll credits, you finished.

Now with Viktor Strobilations, if you manage to get all 11 notebooks and still get out

you turn around, only to find Viktor right behind you, congratulating you but also letting

you know the journey isn't over.

Essentially we're looking at a completely done game and a quickly updating alpha.

So what we're really looking at here is the original idea and someone else who came

along and made it objectively better (in terms of graphics and scope of the game).

Myspace and Facebook, Oreos and Double Stuff Oreos.

Pubguh and FartNite.

It's not exactly an original concept.

Taake something people like, make it better than the original, everyone loves you and

forgets about that other thing.

Right?

WRONG!

There's a massive difference between this Baldi's Basics and any other game that can

be compared to a successor.

Baldi's Basics was specifically made as a Meta game!

It was created at a Meta game jam.

The entire point of the game was to poke fun at the education and indie horror genre.

We covered this in our Baldi's Basic's Story You Never Knew, but it has an incredibly

important impact when discussing the goods and bads between Baldi Basics and Viktor StrawHat.

It opens up the idea of a game being judged based on its purpose for creation.

And personally.

I like that.

In this particular situation it makes a lot of sense why Baldi is such a crappy looking,

earlobe splitting, sesame shoving, hate filled bag of dicks for anyone playing it.

It's supposed to be bad.

The entire game is a parody of two other genres.

It wouldn't be much of a parody if the game looked good and felt good would it?

So when you look at Baldi under the lens of a parody, things make a lot more sense.

Of course it isn't scary, it's making fun of scary games.

Of course it isn't difficult math, its making fun of education games.

Meanwhile Viktor Strongyloidiasis over here made a school...based off of a parody school.

So….where does that leave us?

Well it really depends on how you look at it and if you take the purpose of the games

into account.

If you just look at the games on a base level, there's no question that Viktor Strampoline

is the better game.

It's bigger, has consistent updates coming out, is likely going to get more levels, has

a better challenge, and an evolving storyline.

But if you take into account that Baldi is a meta game that is literally making fun of

games like, Advanced Education with Viktor Strompedia, then it really seems like Mr.

Dr. Nose didn't really understand the point of Baldi's Basics to begin with.

That is, unless Viktor was created to be a parody of Baldi, which was a parody in and

of itself.

Um...yeah...No I think this guy just wanted to make a game and knew more people would

play if it looked like a game that was already popular.

Not hating on that, I'm just saying that riding off the coattails of a trend is a legitimate

strategy for getting the world to experience your work.

And experience Victor Stogolov this world did.

Also real quick did anyone else notice the cook's forearms look like pizzas?

Just me?

Okay nevermind back to the conclusion.

Personally I like Baldi's Basics more.

I really enjoy the idea of someone creating a game that pokes fun at indie horror and

education games and does a really good job of exactly that.

Viktor Stroaway doesn't really have a purpose.

The creator either saw an opportunity to get a lot of attention by creating a game like

Baldi's Basics or enjoyed the game but didn't stick to the same parody principles when creating

his own.

Not that there's anything wrong with taking inspiration from existing titles, but I feel

like the game lost a bit of the spark that made Baldi so unique when dropping the parody

in favor of...something that'll get clicks.

Again, not like that's a bad thing but safe to say I struggled with this game.

Cut to ryan raging from stream

But I'd like to pass this question on to you guys.

Do you think Baldi's Basics is better because of the purpose of the game, or are you more

in the camp of Viktor because it's just the better game overall?

I'm very curious to hear what you guys think.

That's my take on Advanced Learning with Viktor Strobovski in comparison to Baldi's

Basics, and incase you do want to watch me and Grant (the Story You Never Knew boy) stream

games like this and others check out our Twitch channel: Twitch.tv/Treesicle.

We stream every weekday at 3pm Pacific time!

Come hang out, join the chatfam, and help us as we fail our way through the gaming world!

Don't forget to ring that bell to make sure notifications are working so you'll actually

know when a new video is released.

But that's all for me today.

My name is Ryan and I'll see you all next time, or on Twitch!

Toodles!

For more infomation >> Baldi's Basics VS Advanced Education With Viktor Strobovski: The REAL TRUTH - Duration: 10:36.

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1148B Kindness and education It is my job to only put up an obstacle ※ With subtitles - Duration: 3:46.

Your life was you who came doing ...

The question is how to live the rest of life

I wanted to live like this since I was young.

I wanted to break up with me and wanted to live like this.

and when I was 65 years old I was like this

in that sense, now is just that, is not it?

There are people all over the world who want to do something for the next

But then, what is helps the next?

Someone is suffering

and you help that person, but is that something good for that person?

I thought a lot about this subject

But it's an opportunity, is not it?

You can not steal that opportunity, can you?

If I were like this, I would not want them to get away from me, would they?

Whatever the situation, do not help

The person himself must do to the end

so even if the foot does not improve, the person can consent to it

This is how I think

and as I think so I can not do with my own hands

This is how I think

And when such a person thinks about doing something for the next

Since I was young, I am like this, but ...

How much in relation to the person ...

In the matter of finding how to live ...

How much can you raise the obstacle

I'm that type.

What kind of obstacle can I put to this person?

if the person overcomes this obstacle, it will surely grow

I always think so

What kind of obstacle can I make available?

So it's the same with parents, brothers, and children, is not it?

If you do it normally the person will go the easy way

But who wants the easiest, makes a craving for a creeper, does not it?

after giving the creep and see falling I want to step on

I'm that type.

And then the person can not stand up

If you do not get up you're just that.

My life was like this and I got up, so was my life.

So it's not that I want to do it, but it's a person who thinks this way ...

Inside Japan ... Kind and polite ...

And as a result, of course, Japan did not grow up

and it's not a gentle country at all, is it?

It's a society with the dark side, is not it?

This society has no truth.

And what is the truth?

When the person exposes what they really want

I want to live like this, or I need to live like this

I need to live like this ...

That's what the person has to look for

but without seeking this

chose to live easy, if he is kind and polite to such a person

is the same as saying "die" to that person

You are just spending time to eat and defecate

this is wrong

You have to hit and hit a lot of things.

one must get hurt and even with so much suffering

all these years you lived

It's proof that you lived in this age, is not it?

And to live like that means you lived, did not you?

Easy life, eat and defecate and die

It's like a button, is not it?

This is how I think

This is how I lived thinking, and I still think

I just want to do something for the next one.

I want to be able to respond to what they expect of me

Compensation, reason for living, helping others

I want to be the pro.

and I want to teach these techniques to the world

For more infomation >> 1148B Kindness and education It is my job to only put up an obstacle ※ With subtitles - Duration: 3:46.

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Medication of Young Children - Accountability Hearing - Secretary of State (Education Committee) - Duration: 1:23.

For more infomation >> Medication of Young Children - Accountability Hearing - Secretary of State (Education Committee) - Duration: 1:23.

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Exclusion of Autistic Students - Accountability Hearing - Secretary of State (Education Committee) - Duration: 1:25.

For more infomation >> Exclusion of Autistic Students - Accountability Hearing - Secretary of State (Education Committee) - Duration: 1:25.

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"A good education is the most important gift I will ever receive." - Duration: 6:05.

Good evening. My name is Kevin Gonzalez-Bravo. I'm proud to be here tonight as

part of the 40th Prep for Prep contingent, Contingent XL.

This fall I will attend the Fieldston School.

When I first learned about Prep for Prep, I thought I was in deep trouble.

My elementary school counselor Ms. Hughes called me into her office and I immediately

felt my stomach drop. I thought I was a pretty good kid.

I had no idea why she wanted to talk to me,

but I assumed it wasn't good. To my surprise she told me

that my school was nominating me for a rigorous academic program called

Prep for Prep.

Once I realized that I was not in trouble my fear turned to confusion.

I thought to myself, I'm already at a good school, why do I need more school?

However, my counselor and parents told me that if I was accepted, Prep for Prep would

change my life. And they weren't kidding.

I never imagined I'll be standing in

front of over 1,200 people in my first suit, giving a speech.

When my family and I found out I was accepted into Prep, we were ecstatic.

We could not believe that after all those exams and interviews I was selected out

of thousands of applicants. I've always dreamed of going to Princeton and then

becoming a pediatrician, and we knew that Prep would be the

first step to achieving these goals.

My parents emigrated to the United

States from Ecuador in the 1990s.

My father works long hours as a parking lot attendant and my mother cleans houses.

My parents and sister have always done everything they can to ensure

that I receive an excellent education. They always tell me that a

good education is the most important gift I will ever receive.

People often ask me what Prep for Prep is like, and I tell them it feels like a

journey through a long tunnel.

The further I proceeded through the tunnel

the more I realized how hard the journey would be. I felt like I had to carry

an enormous weight on my back - but maybe that's because I carry about 25 pounds

of books in my Prep backpack.

Coming home after that first summer day of classes

my head was full of new information and I was exhausted, so I decided to take a nap.

When I woke up just 20 minutes later and realized how much homework I had,

I learned that there is no time for naps in Prep. By the time I finished my math

homework, it was already 10 o'clock and I hadn't even started my Latin assignment

or the first three chapters of To Kill a Mockingbird.

Like that first night, there have be so many times throughout the last year when I felt tired or I wanted

to give up, but then somewhere along the way I found my footing.

In Prep, I am surrounded by other kids who love school as much as I do.

I knew I found my tribe when one Saturday morning after a math quiz, my friend Jonathan made the

funniest joke about the Pythagorean Theorem.

He made the entire class including the teacher laugh uncontrollably. I know what

you're thinking, what's so funny about the Pythagorean Theorem?

But trust me it felt so good to laugh in a classroom full of like-minded friends, kids who

also chose to replace their Saturday morning cartoons with Saturday morning

math quizzes. Now the light at the end of the tunnel is so close I can almost feel it

shine on my face. After seeing the beautiful Fieldston campus and seeing

students interacting with their teachers and expressing their opinions, I know the

hard work has been worth it.

Since over 100 of you here tonight are Prep alumni, you have experienced how hard

the program is but also can appreciate the great opportunities it has granted you.

Someday I would like to be in your shoes, giving back to a program that over

the last 40 years has changed the lives of thousands of kids like me.

Before Prep, I never thought I could ever go to a school like Fieldston. I never even knew

schools like Fieldston existed, but I now know nothing is out of reach as long as I

continue to work hard and have the Prep Community by my side.

Thank you to my family, to Prep, and to everyone here tonight

for this life-changing opportunity.

For more infomation >> "A good education is the most important gift I will ever receive." - Duration: 6:05.

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Education Talks | How a student becomes a "cicerone" for cultural heritage - Duration: 4:13.

What is the programme "Apprendisti Ciceroni" about?

The "Apprendisti Ciceroni" programme is a project launched by FAI, the National Trust for Italy, in 1996

and has since enjoyed over 20 years of success.

It is an active citizenship project

in which students are invited to focus their studies on one of the resources belonging to their territory

and then act as Cicerone - namely guiding, welcoming the public and illustrating the project.

The FAI trust materially preserves over 58 properties all over Italy

and opens up their doors to visitors.

So our apprentice guides are present on the premises on Sundays,

during summer months, and whenever they have some free time.

With a great act of generosity, they contribute their leisure time

to give new life to our cultural heritage.

What made this programme successful?

I believe its success is due to the fact that students are involved in an active way,

so not only envisaging lessons in the classroom,

absolutely necessary, but actively participating in the field.

In my opinion, young people have been left on the sidelines of decision-making processes far too long

and that is why they stand at a distance from politics and from decisions.

This project involves them in an active way,

as they have a part in managing the resource in question,

thereby fully grasping what it means to administer and protect this heritage.

I must say that we reaped great success last year:

40,000 students became a part of our project

and so we have an infinite number of applications on hand.

And this project lives on thanks to our volunteers.

FAI counts on an organisation of volunteers working all over the territory,

whose objective also involves education in schools.

These volunteers flank teachers, working along with them as a team, with the aim of training youngsters in this respect.

How are the projects interdisciplinary?

The projects are absolutely interdisciplinary

and that is precisely because students are initially invited to study

and then present different resources to the public.

They are artistic assets of a natural nature.

We are speaking of villas, castles, gardens, parks and archaeological areas.

And so the disciplines that students have to measure themselves up against are multiple ones

and the skills to be applied are diverse.

How do teachers and students work together?

Well, I would say that in a certain sense it involves a team effort.

Hence teachers working together and along with our volunteers who,

as I said, flank them in training students.

And, in turn, students with one another as they are given specific tasks.

Not all of them possess the skills needed to be a guide.

Some are more inclined towards reception tasks, others in accompanying,

while others are better at explaining the cultural heritage in question.

Therefore cooperation among students must be put into place,

with a very precise allotment of tasks.

How does cultural heritage learning impact young people?

I think it is well known that young people are distant from our cultural heritage,

as they see it as a thing of the past, something that has nothing to do with their own interests.

Hence the challenge is to actively involve them.

How can educators successfully integrate cultural heritage learning in their teaching?

I would suggest good teaching methods involving cultural heritage,

coming out of the classrooms and bringing their students outside

into the surrounding territory so they can personally see, experiment and touch what cultural heritage

actually is - namely the richness of their legacy, as it is a priceless asset

and a symbol of their identity.

For more infomation >> Education Talks | How a student becomes a "cicerone" for cultural heritage - Duration: 4:13.

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Tiger Woods wants to level the playing field in education one child at a time - Duration: 13:35.

Tiger Woods wants to level the playing field in education one child at a time

In a back stairway of a grand glass and sandstone building five miles north of Disneyland, Alejandro Barajas and cohorts are setting up to shoot a scene for a movie.

With a mat of dyed green hair atop his skull and scenes dancing in his imagination, Barajas is discussing camera angles, lighting and dialogue.

The script is an ode to kindness, how two kids overcome problems they are having at school. The screenplay is ever changing but the heart of the story remains intact. Barajas later edits scenes on a high-tech computer.

Barajas, 12, is right at home in a 35,000-square-foot studio otherwise known as the TGR Learning Lab on 1 Tiger Woods Way, a brick-and-mortar behemoth of educational opportunity.

"This doesn't feel like school. You're not forced into it. I come here to have fun and I learn at the same time," Barajas said between shoots. "It's better than staying at home with a lot of down time.

Tiger Woods built this place for us and it's cool. Tiger Woods helps the community.". Woods, the 79-time PGA Tour winner with 14 majors on his resume, just smiled when told of Barajas.

It's one of thousands of stories Woods hoped to hear when he created his foundation, now known as TGR, which unites his entrepreneurial and philanthropic endeavors.

Opened in 2006, the Learning Lab is the backbone of Woods' goal to provide kids a safe place to learn, explore and grow.

The Lab offers students from low-income households and underfunded schools a variety of classes in STEM (science, technology, engineering and math).

The Lab's backyard is a driving range and a par-3 course that is home to Golfology, a class where kids learn about turf management and how to hit a 9-iron. The Lab also  offers college-prep workshops.

Besides after-school programs that last two to three hours Monday through Friday for students in grades 7-12, thousands of fifth- and sixth-graders visit the Lab on weekly field trips. During the summer, students between fifth and 12th grade can attend the Lab.

"Hitting a golf shot isn't going to make anything better," said Woods, the headliner in this week's Quicken Loans National at TPC Potomac at Avenel Farm in Bethesda, Maryland.

"What we're going to do, beyond our lifetimes, is lead education into the future. And that to me is far more important than anything I have ever won.

"There are so many kids who have talent but they don't have the opportunity. We're giving them the opportunity.". A hunger for learning.

Woods was in St. Louis to play the American Express Championship when terrorists turned airplanes into missiles and destroyed the Twin Towers and damaged the Pentagon on 9/11.

With planes grounded and the tournament cancelled, Woods drove more than 1,000 miles to his Florida home.

"I thought to myself that if I was in one of the Towers, the way the foundation was set up, the foundation would cease and desist," Woods said. "Education came first when I was a kid.

I couldn't play golf or play with my friends until I did my homework. And I had to do it correctly and get good grades. "So why was the foundation golf first?".

Tiger changed its stripes, shifting the focus from running golf clinics to introduce the game to kids to emphasizing education. He envisioned his foundation as a hub for STEM education for kids from underprivileged communities.

The foundation transformed quickly. In addition to the Learning Lab, there are satellite hubs in Washington, D.C., New York, Philadelphia and Stuart, Florida.

There's also a satellite hub near the Marine Corps Base in Quantico, Virginia. In total, these campuses have served more than 165,000 kids over the last decade, a majority being minorities.

Professional development workshops have been held for around 5,000 STEM educators from underfunded schools.

But Woods and the foundation are intent to broaden the scope of its impact to serve millions of children annually, and TGR has partnered with Discovery Education to create a digital campus for educators around the world to tap into the STEM curriculum.

More than 50 STEM classes are offered in sports science, nutrition and fitness, video game design, human anatomy and oceanography. Others involve DNA analysis and animal dissection.

Some students are building rockets, others a scaled-down rollercoaster. One class's experiment had students get hamburgers from In-N-Out to measure the sugar and fat content in servings to see the difference from one burger to another.

"They have 10-year-olds doing coding now, it's crazy," Woods said. "I just keep telling the foundation to keep pushing it, keep growing it. It's a different world now. It's geared to high-tech and these kids aren't the most fortunate kids.

So for them to have access to all the different platforms that pretty much all the other kids in private schools have is important and vital. "We're trying to make it a level playing field.

Woods is by far the foundation's biggest donor of the $150 million raised to date.

Corporate sponsors, charitable contributions, and funds rasied at his two-day Tiger Jam in Las Vegas and PGA Tour tournaments, including this week's Quicken Loans National, help fill out the coffers.

Woods also is a "force" for the foundation, a "hands-on boss," said TGR president and CEO Rick Singer. "People should look at my texts and calls," Singer said.

"He's very smart, very strategic, always asking where do we find the money, where do we spend money? I know people question that he isn't involved, but that's just not right.

"One of the things Tiger asked us to do is take a program that was successful in reaching 100,000 kids and scale it to reach millions of kids. We know these kids are hungry to learn.

We have to reach all of them.".

The numbers are staggering. Eighty-two percent of students who have gone through the Learning Lab program improved their grades, 87 percent began planning careers and 91 percent became more optimistic about their futures, according to the foundation.

The Earl Woods Scholar program, named for Tiger's late father, includes counseling, mentoring, specialized internships and financial assistance for the nearly 200 students who earned passage to college.

Ninety-eight percent were first-generation college attendees, with 98.9 percent graduating. The first class of Earl Woods scholars were freshman in college in 2007.

"Kids really want to understand how to connect school to the real world. We don't paint that picture clearly until you get to college," said Kathy Bihr, vice president of programs and education.

"Our hope is to expose them early to the real world so they can see a clearer picture of where they want to go.

"The kids have a thirst for knowledge. It's fun to watch kids go through the process and maybe be shy and withdrawn, but when the weeks and months go by you see them build confidence.".

Daniel Lee latched on to his opportunity. The quiet 14-year-old who picks his words carefully does his best work sitting in front of a computer.

Lee, who has programmed a Lego robot and took a forensic class when he was in fifth grade, is putting the finishing touches of his own video game called the Impossible Quiz.

"I want to be a video game designer in the future," said Lee, who also created a video game involving tank wars. "Instead of just playing video games, why not make the video game?".

Why not? Why can't I make a difference? That's what Alma Gutierrez, 25, asked herself after she walked through the Lab's doors.

The graduate from Cal State Fullerton went to the same high school that Woods attended — Western High School in Anaheim — where she played golf. The team's uniforms, balls, bags and clubs were paid for by Woods.

She began working at the Learning Lab in the summer of 2009 as a teacher's assistant. In 2016, she was hired as a full-time program coordinator for the Earl Woods Scholar Program.

"I got confidence when I came here. I used to be very shy in high school. I came here and people knew my name. That made me feel like somebody," she said.

Andres Cuamani, 20, first walked into the Lab as a fifth-grader and went to after-school programs for six years. He first volunteered at the Lab and then was hired as a range attendant.

He's a junior at Cal State Fullerton and wants to be a Spanish teacher. "I honestly don't know where I'd be without this place," he said. "There was a feeling of comfort and attachment right away when I came here.

When I was in the seventh grade, my mom told me she didn't want me in the house doing nothing. She said, 'Go and do something else.' I'm glad she told me that.

"Now I have a feeling that I will change things for others.

Luis Jimenez, a 17-year-old senior from Santa Ana High School, thinks along the same lines. He's been singing in the church choir since he was 9 and has been a part of mariachi ensembles almost as long.

Coming from a low-income home, his parents told him to dream big, work hard and believe. And that's what he did, or as he said, "I spread my wings.".

He'll take those wings to Stanford in the fall as an Earl Woods scholar. "I want to be a candle of hope for the students I want to teach," Jimenez said.

Part of the process to become an Earl Woods scholar was an interview with a former Stanford student — Tiger Woods. Jimenez told Woods about his grandfather, who fell on hard times after he enrolled in the University of Guadalajara.

He left his family, dropped out of school and became homeless. Jimenez's parents fear the same could happen to their son.

"One of the things Tiger said was, 'You are you, you're not him,'" said Jimenez, who wants to major in and then teach chemistry. "That is still in my mind. It was one of the most memorable conversations I've ever had.

"Tiger made a difference with me. He makes a difference for a lot of kids.".

For more infomation >> Tiger Woods wants to level the playing field in education one child at a time - Duration: 13:35.

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Teaching Staff Morale - Accountability Hearing - Secretary of State (Education Committee) - Duration: 1:42.

For more infomation >> Teaching Staff Morale - Accountability Hearing - Secretary of State (Education Committee) - Duration: 1:42.

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Matan Webinar: "Ingathering Disabled Exiles in Israel Education" - Duration: 1:02:24.

Hi, everyone my name is Meredith Polsky. I'm the National Director of Institutes

and Training at Matan and we're so glad you could join us today for a webinar

with Ruti Regan entitled Ingathering Disabled Exiles in Israel Education in

preparation for Yom Ha'Atzmaut. Ruti Regan is a fifth year rabbinical student

at the Jewish Theological Seminary and she's Matan's Rabbinic Disability Scholar

in Residence. She brings many years of experience from both a Jewish and

disabilities perspective and we're so excited that she is conducting this

webinar for us today. In the chat box on your screen, you will see a link to the

live captions that are being broadcast throughout the webinar as well as a link

to the slides which will also be seen on your screen. >>Meredith, I don't see the link

for the captions. Can you just repaste it? >> I will repaste it.

And this webinar is being recorded so that

you could watch it again or share with your colleagues.

And here is the live

caption link once again. And I am happy to now turn it over to Ruti. >>All right.

So, I'm just loading the captions so I can monitor them, make sure it's all good.

Um so hi, everyone. Today, we're going to be talking about Ingathering Disabled

Exiles in Israel Education and we're going to be talking about this because

this is such a crucial part of identity formation in a lot of our communities. So

first thing we're going to do is just briefly review a couple of pieces of how

we approach inclusion in general. Are my

slides showing up? Okay, awesome. Um so general way we're approaching

inclusion in all aspects of education, in Jewish education, is that we think that

inclusion is often more a matter of looking for the right questions and

getting in the habit of developing our question-asking skills than it is of

knowing answers in advance as important as that can be. So, for the

purposes we're considering today in Israel education, what questions do we

need to be asking about disability accessibility and inclusion in order to

build the kinds of communities you want to build and teach people the things

want to learn? So again, as usual with any type of accessible, inclusive education,

there are three areas we need to consider. One is access to participation,

like, are people there? Are people able to do stuff? One is access to educational

content. Are people learning the material, engaging with the material?

What's facilitating that? And access to group membership, belonging. So just,

participation is being there and doing stuff. So questions we could be asking

along those lines are, when we're doing Israel education activities, are

disabled learners, in fact, present? Are they, in fact, taking an active role? And

are they interacting with others, with and without disabilities, in reciprocal

ways when interactive activities are happening, as most of our educate... Israel

education activities are very experiential and interaction-based? So

that's participation. It's kind of one aspect of inclusive education we should

be monitoring. Other aspect is learning things. Being present and actively

participating is not the same thing as learning the content. And sometimes when

we differentiate activities or building access to participation,

it doesn't necessarily translate into the content being available to all of

the learners. So, a question we should be asking on that regard, is what is it

we're trying to teach our learners or students about Israel? Are learners with

disabilities, in fact, learning that material? Are they expressing opinions,

contributing to the conversation, being taken seriously? Are others responding to

the not just their participation, but to the content and opinions they're

expressing? Are they learning the material and engaging with it and how do

you know? Because it's easy to make assumptions. So I think... can Meredith, can

you mute the not mute participants? Um so

if people are actively participating, look engaged, that there ..that it's the

same as learning the material and it isn't always. So we always have to ask

not only are they getting it but how do we know? So group membership is what

we're going to focus on in large part in this webinar and group membership can be

one of the hardest aspects of inclusive education to get right. Because group

membership is about belonging. It's about being part of the group. It's about

equality. It's about being there on equal terms with other learners in a way that

people take take for granted and reciprocate. So group membership

regarding Israel education and I think this is, since identity formation is so

related to Israel can be so crucial, is something that we need to be monitoring.

You need to be asking, what are the shared experiences that define group

membership? What are the shared stories that define group membership? So in this

case, in our Israel education case, how are learners with disabilities sharing

in Israel related experiences that define group membership and how our

learners with disabilities sharing in Israel related stories that define group

membership? And again, that's complicated. So let's talk about it. So, in a lot of

our communities, not all but most of them, and I imagine most of the communities

represented by people who are on this chat, Israel is a really important, core

component of Jewish identity. And stories about Israel, about Zionism, about the

miraculous rebirth or our relationship to Israel or the accomplishments, that's

having some sort of relationship to that, whether it's unequivocally

positive, whether it's critical, regardless of which story it is, in most

of our communities a story about Israel and our relationship to Israel is a key

part of Jewish identity and Jewish identity formation. So a question we need

to be asking is are we including everyone in the stories we're telling

about Israel? Who is being left out? And I'll bracket this by saying this is not

an exclusively disability related problem. I think that we often leave

women out of our Israel related storytelling. I think we often leave

Reform, Reform Jews, liberal Jews, conservative Jews, Reconstructionist

renewal, etc. out of the Israel storytelling. And I think that also

creates problems. But I'm gonna focus on the disability specific aspects of this

narrative issued for purposes of this 'cause it's a topic. So we want to talk

about shared storytelling and look at what are the stories that we're telling.

Who's part of those stories and who isn't? And I think a question to consider,

too, related to this, is what are the consequences when people don't see Jews

like themselves represented in Israel stories? And what are the consequences

when Jews only see Jews like themselves represented in Israel stories? And I

think that there are a number of consequences that we should be

considering because it impacts perceived equality, who's really seen as fully

Jewish and who's really seen as having a full stake in our communities. So one

example of this is stories about making aliyah. A lot of our communities, one of

the stories that we tell, very emphatically often, is all Jews can move

to Israel if they want to. Some communities the story is you know all

Jews really should live in Israel and that should be your goal ideally. Maybe

even you're doing something wrong if you don't want to move there,

don't plan to move there. Yet, sometimes, our stories about making aliyah are along

along the lines of, so you're a guy, you're going to go to the army, you

might be in a combat unit ,you might do something else. And or you're a woman, you

might go to the army, you might not depending on your age but you're gonna

have kids and get this kind of job or that kind of job. And we don't often tell

very many stories about people with disabilities making aliyah or family

especially not adults with disabilities making aliyah of their own initiative

rather than being brought along of the family. And so I think that that can go

into learners with disabilities not seeing themselves in the story of I am a

person who could if I so choose, either now or when I grow up or when I

hit some other landmark, maybe when I have kids, if I so choose, I am a Jew and

that means I could move to Israel. People don't necessarily see themselves in that

story which can be very isolating. People don't necessarily see their peers as

part of that story which can affect how they see them as Jews or not in ways

that can be very subtle but are very impactful nevertheless. So part of being

included in storytelling is being included in the past, the present, and the

future. So if we're telling stories about Zionism, in early Zionism, early

supporters of Israel, early opponents of Zionism, early early anything related to

Zionism, people with disabilities are everywhere. So I think it stands to

reason that people with disabilities, Jews with disabilities in the past, had

something to say about this and had some part in it. I haven't heard a lot of

those stories which I think can send messages about connection to the past.

Likewise, stories about pioneers who made aliyah and built Israel. You know,

the early yishuv, the early settlement of Israel, was not a safe place and if

,people didn't come with the disabilities a lot of people acquired them through

their settlement of Israel, through their building with Israel, through their the

early battles for Israel. And I think that, for the sake of accuracy, but also

for the sake of telling stories that can hold our whole communities, it's

important to talk about that sometimes. Again, when we tell stories about what Israel

is like now, about our present in Israel, are we telling stories about Israelis

with disabilities, Palestinians with disabilities, Israel advocates with

disabilities who don't live in Israel? Who's part of the story? When we talk

about the possible futures of Israel, the possible futures of relationship with

Israel, are people with disabilities included in that future in the effort to

build it? Um so if we look at Hebrew schools and

experiential education narratives which again has a lot of how we transmit

stories about Israel in Hebrew schools, one activity that's really popular is

the passport to Israel activity. And passport to Israel activities are a part

in part a way to show kids what Israel's about and in part a way to teach

them that you are a Jew and part of what that means is that someday, you could

visit Israel. Someday, you probably should and will visit Israel. You're a Jew and

that means you're part of the community of people who visit Israel. Even if you

never do it. And here's a taste of that. So in Israel, in passport to Israel

activities, it's kind of two aspects of that. One is kind of the obvious one of

do our learners have a way to participate in the activity or at least

significant parts of the activities in ways that are substantive. That's the

participation level which also affects group membership in content. From a

content level, are they learning to see themselves in that category? And from an

access to to group membership perspective, are they sharing in the

story? Something that can happen is that not only can they participate in the

activities but what are those activities representing in real life and are they

seeing themselves as people who could really do those things in real life at

some undefined future point. For example, if we're doing a virtual 'let's visit

Masada' activity, are we mentioning that there are ways to get up there that do

not involve climbing a lot of stairs? If we're talking about going to the beach,

are we talking about different ways people could go to the beach? We're

talking about going to the shuk, do we talk about access?

Do we make it real for not only all of our learners who are in the room but for

people who our learners know exist in the world? Are we sending the message that

you could visit Israel and do stuff there? And are we sending the message

that you and your peers with disabilities are Jews who can visit

Israel and do stuff there? And actions speak louder than words

and the way we frame these activities really matters in terms of identity

formation and equality between peers. And so, related to the greater story of

Israel trips and seeing yourself as in the category of I am a Jew and that

means that I will visit Israel or could, um, story of Israel trips is a crucial

part of our shared narrative in a lot of communities. For instance, all of our

eighth graders go on the Israel trip. All congregants are encouraged to come on

the Israel solidarity mission. This pluralistic trip to Israel is for

everybody um and we would really like to encourage all of our young people to go

on Nativ or some other post high school gap year Israel program. So are

Jews with disabilities part of this story we're telling about we ... Jews go

on Israel trips or you'll go on an Israel trip when you're older. So let's

consider the eighth grade example. So the eighth grade example is not only

important to eighth graders. The eighth grader example matters as soon as a kid

enters the school. And, in some cases, as soon as they have a sibling who enters

the school. Because kindergarteners are included in the story of 'when you are in

eighth grade, you will go on the Israel trip' because that's what eighth graders

do and that's kind of what your education is leading

up to. There can be an elephant in the room where people either know they won't

be included or assume they won't be included or know that their peers won't

be included or assume that their peers won't be included. And that, [coughing] excuse me,

that has a profound impact on how Jews with disabilities are and are not

perceived as equal parts of the school. Even when they're not anywhere close to

being in eighth grade and even after they're in eighth grade. Because if it's

a key culminating story of the school, being left out of it has consequences

every time the story is relevant. So access being explicit about inclusive

intentions and following up on them every time the story is raised and then

this is an important part of the conversation, can be important. And some

considerations I'm not going to go into in depth but for planning accessible

Israel trips are, you know, it's not we can't go there because of his needs or

we can't go there because of her needs. It's there are more awesome things

to do in Israel than it is possible to do on one trip and we are taking the

subset of awesome Israel things that make sense for our group to do together.

Like it's not because of someone's needs, it's because we're a group and we value

everyone and there's a lot of stuff worth doing. And talking about it sooner

rather than later, building relationships with tour guides, finding somebody who is

willing to listen and take the issue seriously takes some doing- really

important. So if you don't talk about access, people will assume it's not there

because their experience is that they're left out and that 'everyone' does not

usually mean them. especially when it's difficult

or involves efforts. So questions to ask are when you have descriptions of your

Israel trip, say on your website, what are those materials say about access? When

you have registration forms for your Israel trip,

what are those forms say about access needs? Um when, how are you discussing

accessibility planning in groups of eighth graders, seventh graders, people

who are planning, new parents who come into the school and new kids who come

into the school? You can't assume it goes without saying because it never does.

Um and even if it did go without saying, it's part of the storytelling. And

sometimes, you don't find a solution to bring everyone on the trip. It's always

important to try. But even if somebody can't come on and if somebody can't or

doesn't come on the trip for whatever reason, it's really important to realize

that that matters for more than the week or 10 days or month or however long

it is they're there. It affects how they're part of the story. And there, and thinking

about how are they included in the story if they're not on the trip? There are a

number of possible answers to that. It's likely to be complicated and they all

involve acknowledging that this is not an okay situation, that it's not their

fault, and it's that it and that it's okay for them to have feelings about it.

Um it's always part of it but there's a number of possible answers and

approaches to that question. So and related to that, in addition to being in the

category of people who go on Israel trips, it's also important to be in the

category of people who could be Israelis and who have something in common with

various Israelis. So questions to ask around this are our students meeting

Israeli adults with disabilities? Do, if there's a program with shlichim, are

there ever shlichim with disabilities? If you're doing a pen pal program, are any of

the participants in it disabled? Are you building any connections with Israelis

with disabilities? Um those also affect identity formation because part of

seeing yourself as having a connection with Israel is building commonalities

with stories that involve Israelis. And if people don't ever see or interact

with or hear from Israelis who they have these things in

common with, sends a message. And if people see that their peers don't have

these interactions or if they see or if they'd ever see any Israelis who are disabled

like their peers, it also sends a message about what it means to be a Jew with a

disability and who's part of the story and who isn't. You know, it's also... it's a

adults are important. Peers are also important. One thing to keep in mind on

Israel trips is that meeting peers with disabilities can be very important; won't

necessarily happen automatically, is something to think about.

And so getting deeper into this, who sees himself in the story? So this slide

has a picture of a boy who's using crutches, a girl who's using a wheelchair

and a kid of I think indeterminate gender who's using a wheelchair who's

also using a switch interface for their computer. And questions to ask about

these Jewish kids who are in a Jewish education program participating in

Israel education, have they ever seen pictures of Israeli kids or adults who look like

them? If they're sighted. Have you ever heard a story of an Israeli who uses

adaptive equipment, doing things besides being disabled? Like did the Israelis in

the stories have a story that went beyond, "Hi, my name is Liora and I use a

wheelchair and I'm here to teach disability awareness" as opposed to like

"I'm Liora and I do stuff and here's the things I'm doing because I'm a kid and

one of those things is using a wheelchair and being Israeli." Is their

story about something other than Israel's accomplishments in medical

technology? Is it about them as a person who does things that involve being Jewish

and Israeli? So when the story of Israel is told,

do these kids see themselves as part of it? Do they see anyone like them in it? And

do their peers see it? So how do students see each other in the stories? Again this

is getting back to the thing about peers and about group membership. When these

kids, like this is a picture of a class, kids at desks, at a table, there's a

blackboard, some kids have visible disabilities, some

do not, this is like an inclusive classroom. So in this group of mixed kids

here's tells a story about kids in Israel, who are the characters in that

story? Are any of the kids, in the characters and the shared kids in Israel

story, wheelchair users? Any of them use other adaptive equipment? Do any of the

characters in the kids in Israel story have intellectual disabilities, learning

disabilities, ADHD, chronic illness or an Ashkenazi genetic condition or a Sephardi

genetic condition for that regard? Are there, in this shared story of kids

in Israel, any of the characters in the story autistic? Common in Israel, too.

Blind? Braille exists in Hebrew. Deaf? There's Israeli sign language and deaf

Israelis and deaf Israeli culture, too. Otherwise disabled or having

disabilities? And again, that's part of the shared storytelling whether or not there

are kids with identified disabilities in your class and especially and the stakes

are especially high if there are. But in these days where people are

institutionalized and segregated less frequently, every kid probably has

someone in their life who has a disability.

Every Jewish kid probably knows a Jew with a disability so the stakes are

pretty high for shared narrative regardless. But they're especially high

for kids with disabilities and they're pretty high for adults with disabilities,

too. So what are they imagining? When these kids, again, same group of kids, when

these kids think about kids who live in Israel, what kind of community do they

imagine? Does the world they're imagining include kids with

disabilities like they and their peers have? Does it include the adults that

they and their peers, if they live to adulthood, will grow into? Because that's

part of what it means to be part of the group, part of the story. Is the story

about you? Are people like you in the story? So who is part of our story here

in the diaspora in Hebrew school classrooms, adult education, whatever

setting we're in. Who's part of our story as it's mediated through Israel

education? When kids hear Israel is the Jewish state, what do they mean by that?

When they hear Israel is the Jewish state, are they able to see themselves as

fully Jewish in conversation with that? And again, I think this is also an issue

for liberal Jews in general. Are we telling stories that allow liberal Jews

to see themselves as fully Jewish in conversation with the Jewish state? When

we tell stories about, and I think also it's an issue with girls and women, are

we telling those stories, too? Connected to that it's a really big issue with

kids with disabilities. When they hear 'the Jewish state,' do any of the Jews in

the Jewish state have disabilities? Are they able to see one another as fully

Jewish in conversation with that? And that has pervasive effects in both

Israel education and every Jewish subject and interaction. Part of being part of

the story is about being part of the conversation. So we need to ask who's

part of the conversation and who's left out? So being part of the conversation is

about, is in part about being listened to and in part about having topic having

questions and opinions that are informed by your perspective taken seriously

and treated as on topic. So this again, on this slide, there's a picture of a girl in a

wheelchair asking a question and there's also a picture of a brain which is

Symbol Stix's abstract symbol for a cognitive or mental impairment. So this

girl or other kids, during the class discussions about Israel, is she called

on and taking seriously? When she asks questions related to disability, does she

get an answer or is she told we're talking about Israel now? When being a girl or

having a disability or being a girl with a disability is relevant to what she

thinks or feels about the topic at hand, if she allowed to say so? And does she

get a response? Is there an expectation that people will engage with her

statements, questions, perspectives, when they are informed by disability? Just as

much as when they are not? Just as much as there's an expectation that teachers

and peers engage with the points each other make, in general? Is she in the

shared experience of being part of the Israel conversation? For example, and

here's a teacher and the same girl, say the teacher's telling the story about Israel.

All Israelis go to the army. If she asks, what would I do in the army, does she get

an answer or does she get an awkward pause and a subject change? Um if the

teacher doesn't know, do they fudge, avoid the question, do they say I don't

know but I'll find out? And if they say that, do they actually go find out and

follow up on it? Because being somebody whose questions are taken seriously is

really key to being part of Israel education and shared identity formation.

So what about this one? All Israelis go to the army.

Can you go to the army if you can't read? Because sometimes, our communities are

comfortable talking about physical disability but really uncomfortable

talking about cognitive disability, mental impairment or learning impairment.

And so I think thinking about disabilities both the general category

and something that includes a lot of specific categories is important. Like

when kids ask questions like this, are they treated as on topic? Do they get an

answer? What if another student in the class asked? So all Israelis go to the

army. Do people with CP go to the army?, asks a kid who doesn't have it but maybe

knows someone who does or has a classmate who does. Is there an awkward pause and a

subject change or does it get talked about? If it gets talked about, is it in a

way that's informed? Is it followed up on? Does it include everyone in the

conversation, and where is the word we used where i8s the word they used?

Um so

So I'm gonna change the subject a bit in a minute so I want to pause and see um does any...

At this point, I'm going to pause for questions. You can ask in the chat box.

Is anyone want to ask anything? I see that Jason made a comment that it is often

not known by the school that this is done on 8th grade trips if asked about

specifically. For example, Birthright trips in URJ, OU and Ramah semester

are now accessible but many of these trip's accommodations are specific to the

trip that year. It's a really good point which is that a lot of programs are

either accessible or will be made accessible and have a lot of good work

done on being accessible but don't necessarily make that known and the

school might not know. So first of all, if you're involved in planning a trip or an

activity, it's important to not only be committed to inclusion but talk about it

in all of your materials, on all of your flyers and not just the disability or

inclusion specific ones. Talk about it with all of the schools and programs you

reach out to not just the ones that specifically serve kids with

disabilities. And similarly, when you are a school that makes referrals and that

is in conversation and collaboration with other organizations, talk it's

important to talk to them about inclusion and accessibility and to make

that part of the ongoing conversation, not wait for it to come up with a

specific kid. And make it known to your school that that's your policy and that

you're having those conversations. So thank you for bringing that up.

Does anyone else question/comment want to say something?

Okay, well, if anybody would like to ask a question, I'm monitoring the chat box so

feel free.

Okay. So alright, so different kind of story related to conversations is about

existing in Hebrew. And this can be easily overlooked in some ways

especially in communities that are not Hebrew speaking. But in many of our

communities outside of Israel, Hebrew is part of Jewishness regardless of Hebrew

proficiency. Jews that... Jews who see Hebrew as part of Jewishness need

connection to Hebrew speaking culture that affirms Jews like them even if they

don't speak Hebrew, for the same reasons Hebrew exposure is generally important.

And having awareness that conversations are happening by and for and about Jews

like you in Hebrew, affirms Jewishness. Believing that they aren't happening is

very isolating and again this is whether or not you speak Hebrew. So questions to

ask about this are: do your students believe that people like them are part

of the conversation in Hebrew? Do they believe that there are Hebrew words that

could describe their experience? And do they believe that all of their

classmates are part of the conversation in Hebrew? And how do you know what they

think about this and what experiences they're having. And I'm gonna get to an

example of this a bit later on in the slides. But in Hebrew speaking programs,

when kids are expected to gain Hebrew proficiency, it's very important that

it's very important that there be disability related vocabulary, literature,

exposure in Hebrew speaking programs for the same reasons that we need to teach

kids, both kids and adults both masculine and feminine Hebrew

Hebrew verbs whether it needs to be stories about a broad range Israelis. Because

when people are expected to speak Hebrew, it's important that they be able to

describe themselves and that they be able to be understood when they're doing

so. And also it's not just a personal, it's about being part of the

conversation and about realizing the Jews with disabilities who you interact

with are part of the conversation in Hebrew and exist in Israel. So getting

back to question of storytelling, more generally, so questions to

ask when we're talking about storytelling and inclusive storytelling, is what kinds

of Israel stories are important in your community? Because they're not the same in

every community. For some communities, it's about, you know, Israel is a light unto

nations, here's the social justice. For some communities, it's about the army; for

some communities, it's about a religious, theological beginning of our redemption.

For some communities, it's a lot of them but knowing what the core stories are in

your community is part of planning for inclusion because it doesn't happen

automatically. So what's Israel stories are important

in your community? Do you know how Israelis with disabilities are part of

those stories? And, if applicable, depending on the community, do you know

how Palestinians with disabilities are part of those stories? Because if our

story about Israel includes the Palestinians then it matters that some

Palestinians are female, some of them have disabilities, some of them are

female and have disabilities. So what are the stories? Do we know the disability

related aspects of that story? And do we know how Jews who are not living in

Israel are part of those stories? Because we tell the story of Israel and Israel

advocacy as a story that includes Jews in general.

And that can't just be a story about a small, narrow range of like upper-class

men who do not have disabilities. It has to be our whole community. So do you know

the disability related stories? Do you talk about what you know? When and how?

And what are the stories that you need to learn or would like to learn? So again,

just like when we talk about inclusion, our advice is focusing on and focusing

on 'look for the questions' rather than 'try to know all the answers.' Is that

looking for looking for the stories is that disabled people are everywhere,

disability is part of many stories. We sometimes filter it out but it's there

and it matters. And you can find you can find out a lot by looking at disability

related organizations and you can also find out a lot by just being in the

habit of paying attention and asking questions when it's appropriate to do so

um Jason points out that disability experience is different in Israel and in

the United States which is very true, which is why, and I think that's true of

all this, all experiences, are very different in Israel and in the United

States. So I think that given that people are aware of the fact that experiences

are different, broadly across the spectrum in Israel, if they don't see a

place where disability is part of that story and part of that range of

difference, it can lead to not realizing it's there and thinking, like in a kind of

visceral an implicit way, that one of the differences between the US

and Israel is that disability isn't really a thing there. People don't put it

that way, usually, but it's kind of this felt, implicit thing which is why I think

that being aware of what's going on in Israel and what that relationship is is

important on that level and a number of levels. So, for instance, in the category

of looking for the stories, when you find out about an interesting Israeli

actor, author, scientist, activist, whatever, you get in the habit of looking

at their bio. Notice if it mentions disability and point that out sometimes.

Because people with disabilities do things besides be disabled and we can

have a cognitive bias and think that if people did a thing, then they don't have

a disability. But it's not always true and sometimes all you need to do to tell

more stories is to notice that aspect of the story that's already looming large

in our community. So when you watch TV, Israel related

media, just keeping an eye out browsing and it having being one of the things

that you browse were in stores. When you go to museums, paying attention to

whether there's anything explicitly disability related as well as access

feature. And really there's a lot of places and it's part of a lot of stories

on a lot of levels and sometimes all we have to do to start learning the story

is to just get in the habit of paying attention. Which doesn't mean there isn't

value in proactively seeking it out because there is but both of those

things are part of it. So some examples of conversation of questions that it

might sometimes be appropriate to ask in conversations with Israeli or Israel

related organizations are things like: does your civil rights division work on

disability rights issues? Doesn't go without saying. Some do,

some don't. And if you ask the question, then sometimes the answer is yes and

that's one kind of story. Sometimes, the answer is no and that's another kind of

story. So are there any kids with disabilities

in the school? Are there any students with disabilities in this college? Do you

hire employees with disabilities? Are there any people with disabilities in

leadership roles? What do you do to ensure access? Do you have a

non-discrimination policy? Questions like that can tell you a lot of stories that

are worth knowing and don't necessarily have to be the primary aspect of every

conversation where you learn a story like that that's worth knowing.

So give an example of that, I, you know, am generally in the habit of trying to

pay attention and look for the stories. And one thing I found doing that came

from a science museum in Haifa. I was in the museum store and I saw this set of

things. And these are a couple of books and they came from an Israeli ADHD

organization. And the big the title of the big book is Ani B'seder which means

it's kind of a pun on I'm okay and I'm organized. The smaller books are a book

of tips for parents and a book of tips for teachers. It's either from or

attributed to kids with ADHD because sometimes things that say they come from

kids with disabilities really don't but sometimes they do and that's what this

says it is. Um so just knowing that this exists exists and seeing it there is

just shows certain stories. For example, one story that I learned from that is

that there's a Hebrew-speaking organization that promotes a positive

view of kids and adults with ADHD. Some of their materials address people with

ADHD directly as opposed to just caregivers, teachers, parents. Very much

doesn't go without saying because a lot of cognitive disability related

organizations only address professional caregivers and not people who are

dealing with the disability themselves. Another story is they have a lot of tips.

Some of the tips are about school. Some of the tips are about feeling good about

yourself as a person with ADHD rather than being crushed by it. And I went and

looked at their website and the website has sections for children and teenagers,

for adults, and for students and soldiers. Which is something I hadn't thought about

before because in the United States military, ADHD is disqualifying and I

hadn't heard of Israeli soldiers with ADHD but now I know that there's at

least some conversation about that. And that's at this point all I know but I

know where to go to look for more should it be something I want to know more

about. And getting back to the issue of existing in Hebrew, knowing that there

are Hebrew language ADHD materials matters and it matters Jewishly

whether or not people understand what they say. Because it's about being part

of the Israel story and about realizing that you could, if you learned Hebrew,

have a conversation about your experiences and your body and your brain

that would be understood. And so these are some affirmation magnets that also

came from this organization that say like powerful language that's affirming.

And one story is that, you know, Jews, or at least Hebrew speakers, are saying

these things in Hebrew in Israel in order to encourage adults to value kids

with ADHD. One of the things one of the magnets says is 'Believe because the child

doesn't always believe in themself,' 'Celebrate even the small successes,'

'Investigate perhaps you will learn something new.' If you're watching this

webinar and you're teaching students, it's not unlikely that you have students who

would benefit from knowing that these sentiments exist in Hebrew and these

magnets are there even if they don't understand them and aren't likely to. So

another kind of story, disability related story, is the story of Bizchut which is

an organization, the Israel Human Rights Center for People with Disabilities. And

I think that disability is a human rights activism story. It's a story that needs

to be told more in general and it's a story that really needs to be told about

Israel in communities where social activism is part of relationship to

Israel. And we're seeing Israel as a place where there either is or could be

justice as part of our relationship telling stories about that that included

disability. It's part of building inclusive community. So Bizchut

is an advocacy organization protecting the legal, human and civil rights of

Israelis with disabilities. One of their slogans is bizchut v'lo b'chesed.

By rights and not by charity, which tells a different story than most

of the disability related news stories that I think we tend to see coming out

of Israel. Um and I think that Jews who live in the United States are by and

large still struggling for their rights and knowing that that conversation is

also happening in Israel in Hebrew with Jews with disabilities, I think matters.

So and Bizchut stories are about rights, rights violations, equality and

rights successfully defended. So in some of the stories that are the Bizchut

stories, are Bizchut successfully fought for the voting rights of a lot of

Israelis with disabilities by winning, in part because they won a really

important court case in 1990. Bizchut efforts created a law that is really

innovative in Israel and not present in very many other countries if any where they

developed communication methods for people with disabilities with cognitive

or communication problems to be able to testify in court. And they were

instrumental in advocating for a law that protected the right to access

communication support in criminal and civil investigations in a way that's

really been game-changing for people's ability to report abuse and testify in a

way that's accepted in court. And a number of other things - they're also

involved in inclusion in schools, supported decision making, limiting

guardianship, a number of other things. These are stories about rights and about

activism and about equality and about things that matter and that are really

resonant with our values in a lot of communities.

Um so okay, so so yeah, I'm gonna skip that one can't read it it's on your

slides. So a related caution I would advise about telling Israel stories

is I think that we need to think about when we tell Israel related disability

stories, who is the story actually about and are the people with disabilities in

the stories characters or are they objects illustrating someone else's stories? If

Jews with disabilities, Israelis with disabilities are speaking for themselves

in the story, chances are the story's about them.

If not, the story is probably about something or someone else. Like what are

the Jews and what are the Jews with disabilities in the stories think about

it? How do we know? Did anyone ask them? If only parents or therapists are quoted

or some other type of people, the story's probably about the parents and

therapists and not the people with disabilities. And those are also stories

that need to be told but it really does matter who the story is about.

If non-disabled Jews are described as having opinions and disabled Jews are only

described as having needs, the story's probably about the people who have

opinions. You know, if Jews with disabilities wrote the story, it's probably about them.

These are questions that I think we need to be asking. Who is the story about and

how do we know? So and I think the is a question to ask about a lot of

iconic disability stories related to Israel. Because there's a really big phenomenon

in pro-Israel advocacy that says you know we don't want to see Israel's just

about the war, it's about so many other things. A lot of times that story is

about disability related technology um and a lot of times people with

disabilities are not really in that story. A lot of times the story is this

miraculous new product of Israeli genius fixed disability and relieved

everyone's suffering and now they're not disabled anymore. And a lot of times

questions we need to be asking are, what are Israelis with disabilities think about

that technology? Is anyone using it beyond the PR video? How useful do

people find it? And also what do Israelis who use that technology think about

their lives? What do they think about their lives before the tech? What do they

think about their lives with the tech? What is their story,

beyond the story of a smart Israeli invented tech? Another question to ask is

were people with disabilities involved in developing the technology? And are Israelis

really still expect respected when technology is useful but disability

stays important? Um another iconic Israel story that I think there's some talking

about is the stories about the IDF Autistic Unit I think have been reported

on a lot in the last year or so. And a question to ask about those stories who

are they about? Are any of them written by the autistic soldiers? Um when autistic

soldiers are quoted, I've seen a lot of quotes along the lines of 'I find it

very relaxing.' And it being military service, I have

a certain amount of doubt about that. So questions are, are the autistic soldiers

allowed to say anything beyond I like it, I feel empowered, I feel

included? Are they allowed to have opinions that are nuanced, complex,

different from each other? When a soldier struggles in school and other aspects of

life before the army are described, who's talking? Is it ever them or is it

always their parents and teachers? Because most of us who have had

struggles in schools or have, who have been discriminated against or have had these

experiences, have opinions on them and they don't always match our parents

opinions. And being part of the story is being listened to and speaking for

yourself. Real autistic people are not interchangeable. Do the stories reflect

this? Or do they treat the autistic soldiers are more or less

interchangeable? Do different soldiers have different feelings, opinions

perspectives, experiences? What autistic people who aren't part of the program

think about it? And when people talk about autistic strengths and weaknesses,

are any of the people who are involved in telling that story people who can say we

are I? Or are they all people who say 'they?' So again, who's talking, who's being heard

and who is the story about? Inclusive storytelling means that we find stories

that are about the people who they're about. So one place to go for autistic,

there's an autistic buy-and- for organization,

community of the people on the autistic spectrum in Israel, aci dot israel dot org

Some of their stories are about rights. Some of theirs are about community.

They're pretty different from Bizchut in that regard. Um one of their stories

is that autism should be celebrated as part of human diversity which is not a

universal opinion shared by all autistic people but it is a common story that

needs to be heard. In 2016, they celebrated Autistic Pride Day. It's

something that existed and is a story worth knowing. So just to recap all of this:

Who's the story about? Is the story about Israelis with disability or are

they objects in someone else's story? Do pro-Israel stories related to disability

take the perspectives of disabled Israelis seriously? What do Israelis with

disabilities think about the stories? How do you know?

Do your students and peers see themselves in any of these stories and how do you

know? And so again, in most of our communities, relationship to Israel is a

really important part of Israel identity and part of the shared, the relationship

to Israel developed through shared experience and shared narrative. So

students with disabilities need to see connections to Israelis in these stories

and all students need to see their peers in shared Israel narrative. And so when

the story of Israel is told as in a way that this... when this story of Israel is

told without disabled Israelis, disabled Jews, it separates people from their

communities in ways that I think have a lot of consequences. And so thinking

about how do we put people back in the narrative? How do we tell these stories

and strengthen our communities is, I think, part of our job as inclusive

educators. And I don't acknowledge here that this is easier said than done. um

A lot of this is really hard. It can involve facing things that are not

easy to think about. It can involve talking about topics that are a bit

taboo, can take... can be embarrassing. It can involve making embarrassing mistakes

and that's okay. It's hard because it's hard and it gets the only way to develop

our strengths in this is to work, is to just be bad at it until we're good at

it. And the important thing is we need to

treat people with respect, to keep trying and keep learning. And it's not on us to

complete the work, neither are we free to desist from it. And we can all make

progress on this. And so I'm just gonna close with the Matan Pledge slide which

might be worth taking a look at because it's kind of our ethos behind all of

this. So I'll just read it out which is I acknowledge that ability, disability and

humanity coexist and I pledge to see my students as they are. I will not look past

their disabilities; I will seek to understand.

I will not overlook their abilities; I will seek to support them effectively.

I will not ignore the humanity of my students; I will remember that they have

individual interests and a perspective of their own. They're each created

B'zelem Elohim, in the image of God. So, too, with our stories about Israel. And I

see that it's 2:02, we're a bit over so I'm gonna pause for one minute. Anyone

wanna ask any questions or have final comments?

Yeah thank you everyone for coming. >>And thank you so much again to Ruti. We

look forward to seeing you on our next webinar in April. We will send out

information about that in advance. For more information about Matan, you can

visit www.matankids.org

Thanks again for being with us.

For more infomation >> Matan Webinar: "Ingathering Disabled Exiles in Israel Education" - Duration: 1:02:24.

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Veterinary Education: Then and Now - Duration: 1:46.

The state of veterinary education and how it's changed? I guess that's a good

question for somebody that's old like me because I've been doing this for

40 years now, or almost 40 years. And I would say that probably the biggest

change is as our colleges have changed over time and our teaching

hospitals have changed to become focused more on the kinds of cases that

veterinarians need help with, the kinds of cases that are best to train

specialists with, that we lost what we had certainly 20 years ago, which was a

primary care caseload that the students were being trained on. And so the

students are now being trained mostly on secondary and

tertiary care cases, which is fine for solving problems and teaching them how

to be good problem solvers or develop clinical reasoning skills, but it isn't

very good at developing the pattern recognition that's necessary for the

day-to-day things that they're going to be doing when they, that most of

them, are going to be doing when they graduate. And so I think what we're

seeing now is going back to the way it was 25 or 30 years ago, in trying to now

figure out a way of developing that primary care caseload — and then

developing the educational experience — so the students are exposed to a lot more

of those primary care cases and the secondary and tertiary care cases are

used to augment that education and then to train the residents.

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