Thứ Ba, 19 tháng 2, 2019

Auto news on Youtube Feb 19 2019

So I'm Neil Lawrence, I'm from Oxford City Council. The project we're working on is how

we can use chatbots and AI to solve service problems, hopefully reduce calls

for the contact centre - so that's the basis. It's a discovery project to find

out will people use them, will they solve problems, can we save money. The

thing we're really interested in doing is trying to get ahead of the game and

stop everyone running off and reinventing the wheel, so we're trying to

come up with a body of research people can use, that they can reuse, some

templates so people can find out. We're going to get a technology overview from our agency

that we employ. So, the idea is to spread the joy really and give something back

to the community so it can start where we are, which is "How do we get started?"

In fact, when we started the project we called it 'Chatbots from scratch', so if

you really want to do something in this sector, where do you start? And that's the

question that was really vexing us so we're trying to answer that one. The problem

is - Will they solve a problem? Will chatbots

actually be a good thing to do? Part of the outputs maybe they're a bad thing -

this isn't what we need to do for this type of service area. So we're going to

be exploring public attitudes to them, whether they can deal with some of the

high volume/low complexity issues, whether people like natural language in

the way they deal with the council, can it be transferred onto voice as well? So

it's kind of a big area, but really we're just trying to get the

groundwork in to find out where the potential is really. What

we want to achieve is a really good set of deliverables that other people can

use. It's got to be about what local government as a whole can do next, so

success is finding out more about the areas that we're looking at. We're looking at

4 service areas: planning, waste, revenues & benefits and

highways inquiries. So some really good user research

that anyone using those services across the country can pick up and have a look

at so that it's useful to them, but also the technology, the overview, what's the

market looking like? What could we do? And success is also lining us up nicely for

a next phase, so now we know about the area, we know where

it would work, can we go build something in an alpha project? Hopefully the user

research will be something that will resonate with them [other councils] - they can apply,

they can drop their own issues on top of those. Some of the approaches we've

used, they will be able to adopt that in the same way that the Local

Digital Coalition did for the Verify projects - there were some really good use

cases there that we were able to take and reuse, so we'd like to do a bit more of that.

For more infomation >> Can chatbots and AI help solve service design problems? - Local Digital Fund project - Duration: 2:46.

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How Digital Is Shaping the Future of Utilities | Cognizant - Duration: 2:52.

The utility industry is on the cusp of one of the largest transformations in

its 100-plus years of existence, driven by sustainability and environmental

needs the emergence of prosumers and the evolution of technology. This

transformation will encourage unique interactions between stakeholders on the

grid and in near future every one of us will experience the change. The

electricity we consume could be what we generate or is generated by other

consumers like us, using micro turbines or rooftop solar panels. Thus in addition

to having a secure supply for our home we would also bring down our own and our

neighbours carbon footprint whilst also earning revenue. Utilities on the other

hand would aggregate this distributed energy capacity into virtual power

plants and increase our bargaining power in capacity markets whilst at the same

time offering real-time demand response programs. The electricity grid equipped

with sensors and communication networks powered with advanced analytics and

real-time decision-making capabilities will evolve into a digital backbone

ushering in the proverbial uberization and true disruption of established

consumption models. Utilities themselves will move into a model where energy is

traded and packaged with innovative service offerings, where technology

ensures accuracy and where energy use is optimized, a model which is truly

sustainable. The way to win the future is being digital and Cognizant can help.

With consumers becoming more and more connected, the mode of interaction with

the consumer would also need to become predominantly digital. Utility One-Engage

and Utility One-Insights solutions will empower utility and energy retailers to

provide omni-channel experiences across all modes of consumer interactions and

best-in-class customer service and with next-gen digital technologies like

blockchain and cryptocurrency gaining momentum, our local energy marketplace

(LEMS) platform can enable consumers to indulge in peer-to-peer sale of power,

whilst evolving new and innovative business models for utilities. Smart

analytics on our Big Decisions platform which leverages big data analytics

combined with AI and machine learning algorithms on smart meter and grid

sensor data would alert utilities to possible revenue leakage and inform

system operators of any operational variances on the grid. With these

investments, Cognizant can help you transform your business model and help

you truly be digital.

For more infomation >> How Digital Is Shaping the Future of Utilities | Cognizant - Duration: 2:52.

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Cheapest Digital Camera with Flip Screen for YouTube | $100 Digital Camera | Camera Product Review - Duration: 31:25.

hi everybody and welcome welcome welcome to tasty mukbang tasty McBaine tasty

mukbang tasty my thing tasty mukbang eats y'all I am here today

to do a review and a demonstration on the digital camera that I bought off of

Amazon for $100 $100 Wow this should be in everybody's budget I gave this camera

away the other day in a secret giveaway on my channel to a subscriber that has

been supporting me for a while commenting on my channel every day

coming in multiple comments on each video commenting on the comments of

others and she is just a wonderful awesome supporter she has done my

challenges before so I gave this camera away to 2006 I purchased this off of

Amazon for $100 yes so before I ship this and mail this

to her I want to talk about this camera demonstrate this camera to you guys and

show you the quality of the video and show you what I've learned about the

camera since I've been experimenting experimenting with it I've never

personally used this camera for my personal use I just bought it for a

review and kind of like a backup camera if I ever needed it but like I said in

my giveaway video I seen one of my subscribers that could use this camera

more than I can just keep it for backup because I have another backup camera so

this would basically be a backup to the backup so at this moment I do not need

it so I'm gonna ship ship this off to somebody else who can use it and take

advantage of it right now and today but because this camera is so affordable

only $100 if you have a child that is starting YouTube if you yourself are

starting YouTube and you don't have a huge budget and

you can't afford better quality equipment right now but you want better

quality than your current camera then I think this would be a very good camera

for you guys so I'm gonna go over some of the features of this camera and show

you why I think it is like a better camera then you know most cameras for a

hundred dollars like you spend $100 on chips and sweets and the first thing

that I like about this camera is that it has a flip up screen typically I like my

flip up screens to come out to the side but because this camera is not going to

require a microphone mount and it's just only $100 just to have the benefit of a

flip out screen is an advantage so yeah you're getting that for $100 you guys

like that within itself is worth it the other thing that I do like about this

camera is that I do have a mount for you to put a mini tripod to vlog and I did

receive I did get this tripod with one of my kids my camera kid but I'm not

using it so I will also be sending this tripod to two fab six along with her

camera so that way she could have everything that she needs in order to

start videoing better quality video so this is just a little tripod for you to

sit on the table the farther away you put it of course and then you can adjust

this and make it straight

I don't have it adjusted straight right now but you can use this camera to vlog

cheap inexpensive camera buy this for a child for Christmas a teenager for

Christmas a college student going away to college a hundred dollars you guys

you're not sure if you spend nine hundred to a thousand or more dollars on

a camera for a teenager if they're gonna be seriously dedicated to or even a

teenager if they're gonna be seriously dedicated to YouTube like they say they

are even yourself so buy this camera for $100 try it out for six months to a year

you can't go wrong you're gonna get your money back just just for that and then I

always keep it for a backup camera just in case your regular camera breaks and

you still have something backed up so like I say if one thing that I do like

about this camera is that it does have a flip up screen it has the attachment at

the bottom to screw your tripod to vlog and also sunk one camera that I did have

that cost more with this one once I put this tripod on the microphone was

directly under it which muffled the sound but another advantage to this

camera is the even though I would have preferred the microphone to be up at the

top it's not up at the top but it's at the bottom and it's not going to be

covered up by your tripod when you vlog I do recommend that you always use the

tripod when you vlog because if you get used to carrying it with your hand then

because the microphone is right here you might cover up the microphone with your

hand and then you're gonna have really bad audio quality on your camera so if

for some reason or another you do want to hold this camera with your hand and

vlog then you want to make sure that your gonna hold it on this side and not

on this side because if you hold it on this side then you're definitely going

to be covering the microphone so that is the other

thing that I like about this camera and another thing the quality is not that

bad you guys it really is not that bad so I'm gonna

get a close-up of the features of this camera because I want to document this

video before I ship this camera to 2006 so that way I can give her any

information that I've learned about the camera before she gets at home and she

can watch this video over again instead of trying to stroll and figure out some

things I'm so tired you guys when I get tired I

start getting tongue-tied so when I start signing a little crazy that's

because I'm tired so yeah so you guys I am going to get a close-up of this

camera and show you the features of the camera closer up and show you how to

operate this camera and I will also be recording with this camera and show you

some footage up to this point the footage is with my canon t7 i i mean t

said canon SL - i used to have a canon t7 i so up to this point the video is

with my canon it's l2 and I will take some video before the video is over wit

and show you what this digital camera looks like and this is just called a

digital camera that's what you search for $100 digital camera on Amazon and

this ship Appa that's the name of it digital camera and also I have my water

bottle with me this sister Fifi Tyson sent me she sent me some friend mail a

gift

and I've been drinking my water y'all

I'm going the gallon the water challenge a day and this really helps me to drink

my water and have it handy and you could take this with you wherever you go oh my

goodness I love that thank you sister Fifi Tyson so yeah let

me get a close-up of this cuz I think you guys if y'all don't have anything to

film with right now are you filming with a phone or you want a camera but you

cannot afford a camera you guys everybody could afford $100 like save it

borrow it pick up cans ask somebody to give it to

you for Valentine's Day tell them this is what you want it only cost $100 come

on now you have birthday's coming up ask them to give it to you for your birthday

somebody is willing to spend $100 on you ask everybody to give you $10 a piece

especially if you're a child and you want to start YouTube ask all your

friends and family members to give you $10 a piece for your birthday and get

the camera okay let's do the close-up okay you guys so now I have a close-up

of the digital camera and I just want to show you guys a close-up and the

different features of this camera so right here is the power button right

there you press that button to turn it on which I'm going to do and then you

see on the back a welcome sign comes on and the camera lights up next up there

is the pop-up screen and you're able to see what is in front of you with the

pop-up screen and that's if you're recording yourself

in a video but if you just want to look at it this way then you can see on the

backside like that and next up this is a it says it is a

digital zoom lens four times four times the zoom so when you actually want to

zoom in on this camera if you want the wider angle then you just press wide and

when you want to zoom in you just go up press the T to go up up up and you get

closer and closer to the image that you're trying to get to so press the W

to go out and press the T to go in when you get ready to turn your camera on if

you want to take a picture then that little picture thing up at the top is

for picture and then just press this shutter button right here and that will

take a picture if you want to do video then press M and when you see that

little video camera there then go ahead and press the shutter button and then

you're ready to record your video so say for instance right now I wanted to

record this I am going to press record I'm gonna push the shutter and in the

store recording because I have it on the camera

and when that light is blinking like that that means that it's recording so

whenever you want to stop it you press that button down and hold it

and it will stop and when you want to start back press it I think you have to

press the m again press M

well if I want to play that back so now I want to play back the video that I

recorded so I think I pressed him and now I play press that shutter button

again

so now it's playing back the video that I previously recorded

and that was a very short video so if I want to press Delete I click on it press

Delete and here goes the other one I want to play that one

so I'm going to delete that and there's a delete button right down here

underneath the M once you're on the image that you want to delete it says

delete this video and you press yes make it go up and then press M and it will

delete it

I have another video that I want to delete

and you guys this is previous video that I recorded and I just want to show you

that's a pretty good quality there's pretty good quality

so this was in an area where it wasn't

what I had my black screen so what I'm gonna do is let me finish showing you

the different features of this camera right here is your shutter button you

just press open and it should our opens you can press down and it will close

down and right here is where you open up for your battery and it's a little bitty

thing right here you push that in and it will release your battery and you just

pull the battery out and in order to release your SD card you have to take

the battery out so once you take the battery out you press on the SD card and

it will come up install the SD card back in and push it and once you hear click

then you can put your battery back in but you have to take the battery out in

order to place the SD card in and you have to take the battery out in order to

release your SD card very simple and easy one problem that I am finding with

this camera which is to me it's not a minor it's a minor problem for the price

and the quality of the video this seems to not be able to stay closed all the

time so I just took one of the

black ties that most women use for their hair and put it around their to secure

that but that's like a mine or mine a mine a problem because the quality of

the camera is actually very dude this is where you will put your selfie sticker

you're a mini tripod you put it in there and you can walk around with this and

vlog and your microphone it's down at the bottom right here that your holes

for the microphone so you want to make sure if you're not going to have a

tripod on here that you do not cover this up with your hand whenever you're

holding your camera with your hand so I would recommend that you do have a

little tripod wait you don't have to worry about covering that microphone up

with your hand so I think that's it all that I could show you about the camera

this way let me show you what this camera came with it did not come with an

SD card but it does take a standard SD card

it came with a strap which I do not know how to put this strap on here but it did

come with the strap I'm sure I could figure it out but I'm gonna lift the

owner of the camera that I'm sending the person gifting this camera to I'm gonna

let them figure that out and it also came with the USB card to charge your

phone I can't remember if it came with this card with it or if I added it to it

I can't remember but I am going to give this to her and so that way you can just

take your SD card while the battery is still

inside the camera and you can plug this up and charge your phone also if you

want to you can get an extension card and you can have this plugged in while

you're filming your camera that way your camera is staying charged at all times

and your battery does not exhaust itself I think the camera will still be able to

record while you're charging your battery so you guys that is it for this

camera review I think this camera is definitely worth a hundred dollars

especially if you have a child that you are buying this camera for and this is

their first time getting a flip screen camera and also if they're new to

YouTube and you don't want to spend a lot of money or if you yourself a you

new to YouTube and you don't want to spend a lot of money on a camera but you

and you're not sure even if you're gonna continue with you to but this is a very

good camera to just have so that way you can start to YouTube and have some sort

of a quality camera so there you have it you guys I'm also going to insert some

video of the footage taken from this camera so you can see the quality video

that you get from the camera make sure you give this video a thumbs up make

sure you leave lots of comments down below make sure you press the subscribe

button turn a little notification bill and be sure to come back for another

video thanks for watching right now and I'll have a link in the description box

to this camera just in case you want to take a look at it see how much it cost

and consider purchasing it hi everybody and welcome welcome welcome to tasty

tasty methane tasty McBaine tasty one thing tasty McBain eats y'all this is

tasty McBain eatin I am currently filming on my hundred dollar camera that

I bought off of Amazon it is a digital camera let me get the box so I could

show you guys and it only costs $100 so I wanted to do a review on this camera

and tell you guys what I thought about the camera and whether or not I think

it's worth the hundred dollars and actually yeah I do think it's worth the

hundred dollars especially for a Christmas gift for a child especially

for a new beginner on youtuber who doesn't know whether or not they are

going to continue with you two but they want a better quality than a low budget

wireless phone and it also has a flip screen on top and you can see yourself

and the audio is placed in a place where you can put it on a tripod and it won't

be muffled I think the placement of the of the microphone is pretty good even

though it's at the bottom of the tripod it's still not in the area where it will

be covered up if you put it on top of a stick like this so when you're holding

the camera with your hand though you might want to be careful because you

can't put your fingers over the mic but that's why I would suggest a stick like

this or to put the camera on that way you can ensure that you're not gonna be

covering the mic up with your fingers so you guys when I upload this video this

will show you this will be the video quality of this camera the I'm currently

filming with the camera now the digital camera from Amazon that's a hundred

dollars and it's also the audio it does not have an external mic jack you guys

so it is what it's what you see is what you get so

with this particular camera this is going to be what you see is what you get

and I hope this review helps anyone that was considering purchasing this camera

for $100 and I do think for a beginner and for someone who just wants to do

like vlogging outside or something for a young child or a teenager you don't want

to spend a lot of money on just a lot of money in something and you don't even

know if they're going to be dedicated to it so I think it's an excellent buy for

$100 when you waste a hundred dollars on something worse

you bought $100 worth of candy and cookies I'm probably sure per month so

go ahead and get the camera I'm gonna leave a link to the camera in the

description bar below just in case you want to check it out on Amazon and I

don't think that you can go wrong for $100 you guys and it's a beginner camera

to teach you how to start editing it does take SD card it does have a flip up

screen so it has more pros to me than cons it has a flip up screen it takes a

SD card you can recharge the battery with the portable SD card with the

portable charger and the mic isn't a good place for when you have it on a

tripod like this and I think the quality of the video is pretty good so that's

gonna be it you guys thank you so much for watching and tuning in today and I

will talk to you guys later bye now okay you guys so this is the camera and I'm

just focusing on different stuff in the room to show you guys how this camera

looks

hi everybody and welcome welcome welcome to tasty mukbang tasty McBaine tasty

mukbang tasty mukbang tasty mukbang eats y'all this is tasty mukbang eats I am

here today and I am filming today in my other room with the hundred dollar

digital camera that I got from Amazon and I just wanted to show you guys what

the video quality is on this camera yes this camera costs $100 on Amazon you

guys the video that you're seeing right now was filmed with $100 camera I am

using the camera right now as we speak so this is the quality of the camera

with the current lighting that I have in my house so I think that the camera is

definitely worth $100 even with the one complaint that I do have about the

camera other than that it's worth it and I think it would be a great budget

friendly camera for a new beginner youtuber for you to up your quality of

your videos for a very inexpensive price so I do give this camera two thumbs up

because I think it's worth the money and I think if you're on a budget and you

only have a little bit to spend I think a hundred dollars is worth a while all

you have to do is get the get your SD card and get the camera for $100 and

you're good to go and the bigger the SD card the more

footage you will hold on it so I recommend anywhere from a 32 to 64 to

120 GB by SD card 64 at least at least up to 64 but 32 to 64 is good if you

want more and more and more and more room then of course get 128 like me so

you guys that's gonna be it I'll be sending this camera to 2006 she was my

secret giveaway winner for the camera and you

guys make sure you are continuing to watch all of my videos comment on every

single one of my videos leave lots of comments in the comment bar of every

single one of my videos and definitely come back for more videos so I will talk

to you guys later thanks for watching bye now

For more infomation >> Cheapest Digital Camera with Flip Screen for YouTube | $100 Digital Camera | Camera Product Review - Duration: 31:25.

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Pocket-Size Digital 2 Channel USB Signal Conditioner - Duration: 2:21.

For more infomation >> Pocket-Size Digital 2 Channel USB Signal Conditioner - Duration: 2:21.

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4 Xu Hướng Cho Ngành Digital Marketing 2019 | Hệ Thống Online - Duration: 7:29.

For more infomation >> 4 Xu Hướng Cho Ngành Digital Marketing 2019 | Hệ Thống Online - Duration: 7:29.

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Blender Tutorial: Digital Matte Painting: Copse Cove [Node Editor] - Duration: 44:13.

Hey everybody and welcome back to another Darkfall tutorial

so today we're gonna be doing another digital matte painting as you can see an example here

so as always we need to make sure that we're in cycles render

and also that the video resolution is the same as a movie clip that you're using

and finally make sure that this is at 100% by default is set to 50% so go ahead and increase that to 100

if we don't, when we go to render we'll have some trouble with the masks

so now we can go down here and change this window from the 3d view to the movie clip editor

now you can go ahead and open up your background movie clip

so this movie clip that I'm using I'll make sure to throw a link in the description if you want to use it too.

same thing with all the other assets that I

use I'll be sure to throw links in the description

ok so this is the clip that I'm using

so the next thing we can do is set the timeline to be the length of the

movie clip

so we can go over here to set scene frames

now this is far too big for

me but if you wanted to use a full clip go ahead and use that

I'm just going to

go ahead and set this back to 250

and then we need to go ahead and prefetch the clip

so this purple bar will fill up all the way if it doesn't fill up all

the way you just need to go to file

then down to user preferences

Then over to system

I think and then go scroll down

and there's a memory cache limit just

increase that

so now I have this and we can scrub through and it looks ok um you

might not be able to notice but it actually moves

we just jump back to the first frame

and then the zoom in if we focus on this little rock here

play through the footage we can see that

yeah the camera moves a little bit

so if we

don't track in the assets they will just stay on the screen they won't move with

the background. so we need to make sure we had a couple of tracking markers

which will help keep everything in place let's jump back to the first frame so

these settings are going to be pretty much the same as we always use I'm going

to go down to match.

change this to previous frame

check normalize

down here

to marker display

you want me to check search size as well so we can see where

it is searching

so as I mentioned I'm going to add some elements into the

shot I want to add maybe a horse and a rider down here

Add a tower up here and

something off in the background along with maybe some birds and about a few

other little things just to make it look more lively but

for these to happen for

these to work we need to add some tracking markers as I mentioned so I

know the horse ride is going to be down here

so I need to add a tracking marker

Up here is a pretty good spot to track so I'm gonna use this spot up here

when I hold ctrl

and then left-click

as you can see it's added this preview over here

it's this area here this pattern which blend is going to search for and

then on the outside this is the area where it's going to search this pattern

so if we increase this

it's going to help with footage that's blurry

or fast

It will take a little bit longer to track since this square is quite so big

so if you don't need to have it so big just reduce it down so let's scroll down

here to the tracking section

I'm just gonna track forward since we're at the

first frame we need to track forward

now that's done a good job but if it didn't

let's say it did this after a few frames it just turned to this color here that

means it's it lost the track so you jump back to the first frame if you can see

this yellow bar here under the purple one which has been added

that represents

the tracking marker so if we clear

the tracks we can see it gets rid of it and

now it won't move and then what I would do I press s to scale to increase the

pattern size

and then you could also increase this or decrease this depends

on if you need to or not

but I'll just show you this dead big and

look else it goes a bit slower depending on how many frames you're gonna track

for it so it could be a it could be a bit of a pain so I'm just gonna go back

down since it works well they're quite small size

I'm just gonna re track this

so this is gonna be one of our tracking markers and we're gonna have a couple of

them so it'd be nice to know which which is which so up here where it says track

we can rename this I'm just going to name this island since there's two

islands I'm gonna add

yeah and then let's go over to this one and track this one

so again ctrl left click

this should be a good point to track

now if we try and track this forward

it won't work since we're at the end frame so in this example we're just

going to track backwards

let's play through and make sure that this stays in

position we can see that it does a good job

now let's rename this

okay so now we have these the last thing I guess we

could do is add a mask like as I mentioned we're gonna add a building

over here so we're gonna add a mask just to integrate this into this area a

little bit better so let's go down here to the tracking mode and change this to

the masking mode

or you can press tab just to switch between them I'm gonna

click new to add a new mask and I'm gonna rename this

since again we're

gonna have a couple of masks we need to know which one is which so now we have

this again masking is very simple I just ctrl or left click if you hold

ctrl and just keep left clicking you can do it pretty quickly and I'm gonna kind

of make a nice or an interesting shape

now this rock sits in front of this rock

so we need to again mask around it right now I'm just gonna go for it fairly

quickly and I want to take a little bit of time to refine it but for now I just

want to get the basic shape

so now you want to close off this mask and normally what I do is I'll close it

off this way I'd go around and just say this is the area that we want the effect

is show but in this example when you go this way which is the wrong way in this

example but I'm going to show you how to fix that because some people have asked

you know what to do when your mask is been messed up so hopefully this will

help answer that question I'm just gonna press alt C to close this mask like so

now we have this so what we need to do is make sure that this marker is

selected we know it's selected since it's white where is this marker over

here is grayed out if we right click we could select this one we want to parent

this mask to this tracking marker so again make sure this one's selected then

we can press a

to highlight this mask here

then I'm gonna hold ctrl and press

P

now we've parented this mask to this tracking marker and it would play

through it looks good so now we have this let's go ahead and start

compositing the the shot

so let's change this from the movie clip editor to the

node editor

now let's go down here change this to the scene tab

and then, check use nodes

just for these nodes to show up

then also we want to make sure

we check backdrop so we can add a viewer node and see what we're doing

so now we

have this render layers we don't need it so like this one press X

shift A > Input

movie clip

then just connect this up to the composite node

then go down here we

can click this icon

and just select the movie clip that we've been working with

now we need to add a viewer node so shift A,

go to output

and then we can

just click and add a viewer node and connect that up

or if you're lazy like me,

you can just hold ctrl shift and left click on any node to preview it and

again this will only work if you've got the node Wrangler add-on so definitely

go and check that out and start using that

so I did a quick tutorial on the

node wrangler if you want to go check it out there's a link up here

so now we have this let's go on the zoom out a little bit like so

make a bit of space

since for this for this example it's gonna be quite a bit of nodes it's

gonna be nodes heavy so

if you've not used

nodes are you not comfortable with using nodes We have previous digital matte painting

tutorial called sky fort or one of the other ones have done but that's a

lot easier to do there's less nodes whereas this is a little bit more

complicated but I'll try to explain it as best as I can so I also take some

screenshots of the nodes and upload those to Facebook if you want to check

them out again I'll throw a link in the description but before we do anything

else I wanted to take a quick render of this

just press render

so now we need to

save this out I'm gonna press f3 or what you can do if you go down here where it

says image just go to save as image and then I'm going to save this in our

project folder so I know where it is later on

so go down to my project folder

try and find it this is gonna be my reference

it's got my reference image save that so later on I'm gonna open up a photo

editing software and then just add some images and use this as a reference to

where I want to place the images I'll again I'll show you how I did that but

we just needed this image before we start adding things to it just so it

doesn't get in our way so now I can press escape now we've got that image

shift A,

I'm gonna go to color

and normally I use a mix node to mix things

together but for this example we're gonna use an alpha over most examples

you can use a mix but in some occasions like this having an alpha over will work

better

I'm just going to drop this onto the bottom string here which is that

composite node and then again using the lazy connect so I'm gonna I'm gonna hold

ctrl shift left click just to preview this so for this I'm going to add

another movie clip on top of this so let's go ahead and duplicate this movie

clip node shift D

and drop this here for now and then let's click this folder

icon

and replace this

then let's plug this in

now straight away we can see

that there's a problem this movie clip is smaller than this one

we can fix that

with just one node so shift A,

distort

scale

I'm just going to drop this in and

I'm going to change this to render size

so now I have this let's close this down

we don't need to worry about it another problem you can see is it's

black there's a black screen and as we play through it just fades from black

which is not good for this example we need to find a frame that's good.

Frame 30 looks good so I want to start from here now what I

could do I could just change this start frame to say 30 but then would be losing

the first 30 frames of this movie clip which I don't want to do I want to keep

all frames so I change this back to 1 and what I can do just preview this

again so I can make this up to the viewer node so later on we'll just

change this and start from a clean frame so don't worry about this for now let's

just remember that frame 30 is a good frame to start from for this movie clip

so now we want to cut this horse out and use it in our in our background

image so we can do that is by adding a custom mask and then we're gonna add

another node to help it out so again let's change this window back to the

movie clip editor

so let's go down here where we can see this movie clip icon

click this we've already loaded in the second movie clip which is this pixels

video again I'll throw a link in the description you want to use this one so

we need to prefetch this but since we're in the masking mode yeah we don't have

the option here so let's change this back to the tracking mode then let's

jump to the first frame I don't know why but if you start prefetching from say

the middle it takes a lot longer sometimes I comes up with a loading

error

it's weird so just always make sure you jump to the first frame I'm

just it might just be for me but jump to the first frame click prefetch and it

just fills up fairly quickly and then we go back to 30 because that's where we to

be starting it from now for this again we're going to need to add a tracking

marker

so some reason these tracking settings have reset

so let's go back and

change these again change this to previous frame enable normalize now

search size has stayed so

we don't need to enable that again

control left click

I'm gonna put this around here should be good and then

go ahead and track again

so same thing as we did before we're gonna make sure that this stays it's not

perfect we can see because we can see that it gets blurry and it looks a bit

messed up but I've tried this before and the rider sticks to it pretty well it

looks pretty good and that will work for us so now let's go over here to the

tracker and last name let's rename this

so we're naming all these because it becomes important later on so it's

best practice to name these now so let's go ahead and create a mask change back

over to the mask in mode now we don't want to change this mask

here this is our Island building mask so let's go ahead and create a new one by

clicking this plus button here let's go ahead and rename this

now just get press

T and N

let's get rid of those

so now I want to create this mask and I want to

get as close to this edge as I can then when it comes to around here I'm not

going to be too accurate because we're going to use the node to clean

everything else up so hopefully make a sense in a minute let's first go ahead

and create this mask so again I'm gonna do this fairly quickly just to get the

block shape in and then I want to come back and refine it so I'm gonna hold

ctrl and just left-click pretty quickly I can just refine that and don't worry

how it's not too accurate for now I will come back and refine this when it gets

to the tail the tail actually moves so we don't want to get too close otherwise

it'll start cutting the tail off so I'm just gonna go like this

same thing for the head the head moves quite a bit so we don't wanna get too

close to it otherwise let's say the head moves up the and the ear gets cut off or

something like that so the neck we can get pretty close to and then again hold

alt press C just to close up now have this make sure I can make sure this

tracking mark is selected by right-clicking then press a to select

all of these hold ctrl press P now it's parented

now let's go ahead and refine it so I'm gonna press when I press a to select all

of them then I'm gonna press V and then I'm gonna choose automatic now a

lot of these will work pretty well some of them might not work out too good so

you need to go back and check that it looks it looks ok so once you've refined

it you want to play through I'm gonna make sure the horse doesn't go outside

the mask like this here is not too much of a big deal that you can get away with

but if it's any more than that you might want to just increase it a little bit

just so it doesn't cut things off same thing with over here you that's

pretty good that'll work now we need to fix this issue here so

let's change this from the movie clip editor so the node editor so now we plug

that in here let's jump back to frame 30

and then let's go ahead and shift a Input > mask click the mask icon and when

you change this to a horse mask plug this into the factor we have this now we

just need to get rid of this bottom part here which is pretty simple shift a go

down to Matt and I want to use for this one I want to use a chroma key I mean

you can use quite a few of these will work for this one I'm going to use a

chroma key I just drop this in after this scale

now with this I'm going to

increase the acceptance all the way up to 80%

and then the same thing for the

cutoff I'm gonna increase all the way up to 30 percent and so let's try a green

color doesn't seem to do anything if we plug this into the viewer node we might

be able to see things clearer look this in now you can see it's affecting some

things up here but not what we need it to but if you notice it's more of a

yellow color there so let's go into the yellows much better now again we don't

need to worry about the Greens up here since we added that since we've added

the mask that's gonna get rid of all these up here but what you could do if

you didn't want to add the mask you could probably just add another chroma

key change the color to a dark color and get rid of that too but for this one

here we'll focus in on this bottom section here especially

around the head and the legs so now we've got our color that looks ok let's

start dragging down the fall-off and as we do this we should get rid of all the

ones around it like so make sure you don't take away too much detail from the

horse as well now we've got this again don't worry about the colors up here we

want to try and refine these edges and the way we can do that if we click this

color here and stuff drag it around a little bit and see if we can get a

little bit of a nicer color nice that edge around of things it doesn't look

too bad and now if we go back to the Alpha over node plug this back in we get

this it looks strange and that's because we need to do one more thing convert

pre-multiply click that and there we go it looks pretty good if you need to

refine it go back and go back to the mask and you can refine it I don't know

the mask and refine ap need to again we've done tutorials on masking if you

want to check that if you need help with masking that will probably help you

there now the last thing we could do for this horse before we start moving things

around and adding things is fixing the black color from the frame zero so if we

jump back to the first frame we can see does this which is horrible it's a

really easy way to fix that and I could've done it from the beginning but

I don't want it to show you you know the problems that you might face with a clip

like this because when you use in assets you'd normally get rid of all these

problems first and then just bring them in when they're ready to use it saves

you a lot of time and yeah you can you reuse assets without needing to fix them

every time so so it definitely fix your assets render them out and then bring

them back in instead of doing what we're doing now it takes less time I just

again I just wanted to show you that it's still possible

anyway so, shift A

let's go to input > image sequence

now you are thinking, Its not an image sequence it's a

movie clip that's okay we can still use the node go back and find the movie clip

which is that horse one here now it says import is image sequence and we don't

see anything that's because it's hiding see how mouse over here start dragging

it over to the left we can see it appears left click we can just position

it so now we have this and there's a few things we need to do

for it to work first of all we need to change this back from an image sequence

to a movie clip and now we can change this for the frames it's asking how many

frames are in the movie clip now let's say 250 now it's working it's gonna

start on our frame 1 on the timeline but it's been offset by a crazy amount so

let's go set that back to zero and now we have the exact same thing these nodes

are the same except we have this these options here which by the way it would

be nice if we could click one button just to have the options here pop up by

again I just had this image sequence node and it will work let's go back to

frame 30 and we'll see there is no difference they both do exactly the same

thing fade in from black but if we go down here to where it says offset if we

change this to a set number of frames now we know for frame 30 is good now for

the beginning it's gonna start off it's not gonna have this fade in let's just

change this here delete this one as you can see as we play through now we have a

clean clip and now it's ready to be used let's go ahead and add in our horse

rider this is gonna be an image which will be then tracked so it follows the

horse and then we're gonna scale them both down and pull them into maybe over

here so let's go ahead and do that let's go ahead and add in the horse rider jump

onto the first frame so what we can do we can select this alpha over node here

press shift D to duplicate it drop it onto the bottom

connect this up to the

viewer node

I'm gonna make some space because we will have a crazy amount of

nodes so I'm gonna make some space press B

Box select these two and just drag these

over move this over here so we can also probably close down some of these as I

mentioned it's gonna be an image so shift a input image

go to open

so I found this image off I think pixabay and again they'll be a link in

the description I just cut this out from the background

and added some reins so now we have these two we want to fit them together and

when you compose an image like this you need to be wary of the direction of

the light as you can see in the background image the lights coming from

this direction you can see there's the lights hitting these rocks here and some

shadows whereas on this rider the lights hitting his back same thing with the

horse that had the lights in here so I look through the images that I kept that

in mind as well from which direction the lights coming from if you need to change

it you know he's going to Photoshop and just darken this and then brighten it if

you need so just to fit your needs let's go ahead and put this rider into

position shift A,

go down to distort

Add a flip

drop this on here now we flip

direction again less you can see the Sun looks like he's hitting on the back same

with the horse close this down we don't need it shift A,

distort > transform and

when trying to position him over here so much scaling down a little bit now the

scale for this the bigger you have the person although I guess the bigger the

horse the more imposing the horse looks or the smaller the horse and the bigger

the person the more imposing the person looks so depends what kind of emphasis

you want to put on the person or the horse I think that's not too bad and

again you can always come back later on and change it if you need to close this

down as well we don't need that we no longer need to change this the extra

nodes just to position him and then once we're happy with everything we're in

position both of them so I'm going to add some more nodes and then we'd add

some more nodes it's just a crazy amount of nodes to keep everything working so

hopefully I explained things that's the way and I don't explain anything or I'm

going too fast be sure to ask some questions in the comments or go to our

Facebook group and I'll try and answer them try and be clearer so I apologize

if I'm going too fast anyway I know people have said that I go too fast so I

try to slow it down so now we've got this let's see what happens when we play

through we can see it's obviously slowing down but the

horse moves yet the rider stays in the same position now we can fix that pretty

simple after this transform which is just putting him on top of the horse we

now need to add another node we'll move him in speed or in pace with the horse

so shift A,

go to translate

just drop this on here and now we need to animate

the the x-value but we can use a node to do that for us

shift A,

go to input

then

track position just drop this down here

then we can click this movie icon here

have two videos to choose from the rocks which is the background and the pixels

video which is the the horse now if you remember we added a tracking marker for

the horse so we want to use this one this is always going to be camera and

then this is going to ask us for the tracking marker and we can see it's the

horse track and then once we connect this up hey I'll do this so we need to

go down to where it says position yeah and just change this from absolute

it's a relative start there we go so now as we play through this the whole

horse rider will move with the horse which is good that's what we want so

again it's quite a few nodes just to get this to work but but I don't think it

would work in a fucking Photoshop since we're having an image sound on top of a

movie clip which is also sat on top of a movie clip which is a moving and also we

need to move it in because the camera is moving as well so there's quite a few

things working so I think blender does a pretty good job there's just a little

bit of a workaround and maybe it could be a little bit easier but it's not too

bad just takes a little bit of time so let's close this down as well we don't

need to see that the same thing for this one so we're not going to be changing

these nodes again once we set these that's why I've just closed these down

so we don't accidentally change them now we have this the horse moves the man

moves with a horse now we need to put them both in position so let's try and

tidy things up here I'm gonna move this down here just grab these

right now it's not too crazy we have the background movie clip we have the horse

movie clip and have the horse rider image so we have the mask for the horse

so now we need to position these so shift a go to distort transform so we

need to transform the horse rider

shift D we also need to transform the horse so

now when we move this on the X we're going to need to do the same thing for

the horse so we need the same value here one of the problems is you can see the

horse gets cut off and that's because the mask here the horse mask that we

created this also needs to move as well so let's go back to this transform node

shift D duplicate it and place it on here so we've done something like this

in previous tutorials where the mask and the image needs to move at the same time

this time we're just add in the horse rider since he needs to be in the same

spot as well so I think this is the first time we've used three transform

nodes at the same time normally it's just two or one they will need to

control all of these at the same time and if you followed along your previous

tutorials you know what's coming next we just needs a shift a go to input down

so value node and then let's connect this up to the X on all three of these

then select- this shift D plug this into the Y

shift D. I should change this back to one since scale always has a default value

of one plug this into the scale so now we have this again you can do the same

thing for that angle but we don't really need to right now so now we have these

these three nodes what we can do if we select all of them and then press ctrl J

and just create a frame and this is going to be our control I get it now it

starts to get a little bit messy but if you followed along you can have you know

where everything is and hopefully it's not too crazy right now

so now let's position this horse right over here so I'm gonna hold shift and

drag this down and position this so I might come back a little bit later on

and just refine all this but for now that position is good but we do need to

color correct the horse and the man just so it fits the shot better but for right

now I'm just going to leave as is and just move on and add the other elements

when we play through this there's one more thing we need to do to make it fit

in the scene we can see that the the camera moves and this terrain goes up

but the horse stays in the same position now it should also move with the camera

so we need to sort of replicate that as well be a little bit confusing with all

these nodes but I need to add a couple more nodes here

so shift a go to distort then let's go to translate drop this in here right

after this transform node

shift D again for this one shift D for this one

because we want to keep all of these moving because we want to keep all of

these in the in the correct position shift a go to input track position like

we did with the horse but this time I'm going to use the different but this time

we're going to use a few different settings so click the movie icon we're

going to click the rocks because we want the horse and the rider to move with the

background of the rocks click camera then for the tracker we've

got two trackers we can see that the horse rider and the horse will be for

this tracking marker and if you remember we named them so it's the island near

and then what you need to do is connect the X and the y for all of these

just

for these three nodes that we added it's disappeared again so let's go to the

position change it to a relative start so now when we play through

everything works as it should

crazy amount of nodes and we can tidy these up by putting them into frames we

want to so so let's go ahead and create a frame for all these since you don't

need to be changed I select all these here, ctrl J

and let's go ahead and name

it this can be tracking and- position I guess

is what it is so now we know all these are the tracking in position this is the

rider this is the horse and this is the background and this is the horse mask

hopefully that's a little tidier for you so the next thing I'm going to do is add

an image into the background as I mentioned before we're going to open

photo editing software and use that before you know most of the details I

just want to add this in just so I'll have more greater separation and I can

add some distance pretty easy again you can do it all in photo editing just say

about two images so again when it's like this alpha over shift D,

connect this up

to the viewer node

shift A,

go to image

so again I just cut out this image from its background and again we need to know

the direction of the light is coming from this direction we can see the

shadows are on this side and the Lighting's on this side so way to flip

this shift a go down to Distort

> flip

just drop this in here

Now let's close

this down since we don't need to see it and again we're going to position it so

Distort > Transform.

then you want to try and position this and again I want to

come back and refine this but once you've got it in position we need to set

it in the background if you remember before we added a mask so shift A

input > mask drop this up here

select the mask icon and change this to the

island building far mask

plug this into the factor

and we get this as I

mentioned before I would normally go around this way for the mask but I

actually went around this way just to show you what would happen and the way

you can fix that if we go shift a go to color and just add in an invert node

right here it just inverts the mask and it gives us what we want

so now we have

this I would also want to color correct it

shift a go to color now add a hue-

saturation value for this one and then if we notice it's in the blue colors

I'm just gonna increase the hue give this an orangey kind of look

pretty good reduce the saturation and maybe increase the value it's not too bad I

also later on I'm going to add some fake atmosphere some mist

just to fade this off into the distance even further and so I would also have to

add an RGB curves here and just increase the the distance or the white colors

again we've done that in the previous tutorial so you probably already know

how to do that now we've done that we also need to make sure it moves with the

background if we play this this will stay in the same position

whereas the background I'll move so again every time we add something

whether it's a movie clip or an image always need to transform it into the

position where we want it to be but then we also have to go down to distort

translate add in this translate node shift a track position and like the

image follows a position so it's the same thing we did before and it's the

same thing we're probably always going to have to do to keep to make this work

change this to the rocks I change this to camera now this one before we used

Island near but because this is sat in the distance I'm going to use Island

far and change this to relative start

anyway so now we have these that's all

going to move so one add some more images now instead of doing this for the

rest of the images I'm just gonna open up a photo editing software so you can

you can use whatever software you want I'm gonna use GIMP and again that's why

we rendered that still image before just to use as a reference load up that image

that we took the first time, that still image again this is going to be used as

a reference we're not gonna be saving this image at the end we're just going

to use it to position the items so the first thing I did was add in these ruins

here on the left and this is actually two images which is then being

Color Graded I'll just show you the images I used this is the first one I

just cut this out from the background

and also did the same thing for this cut

this out then combine them both together and color graded them both and I see I

was some bit shinier to the edges just to kind of match the rocks but this is

what it will look like That's all it is

the next one was added was a tower

this is kind of a lighthouse tower which I thought looked pretty good this

started off like this or again, I cut this out and then color graded it so it looks

like this I also did if you can see this black line here this is a shadow

I am I added this and also I did a shadow here like a contact shadow they

added this because we add some trees as well which I'll show you in a minute in

a minute obviously since the trees right next to it would also have a heavy

shadow I also added some highlights to try and match this as well

then I added a shadow for the tower since this would need a shadow wood

looks it looks odd without one and then that tree that I mentioned

added this I think again added a shadow to the tree be since this is almost

touching this it'd be quite dark and for this one I show you the tree on the

front so show you what it started off as starting off like this in fact I would

bring it over you can see how different it is so I did it's just added a bit

more dimension to it I did some highlights to it just to kind

of complement or match the the shot so I think it looks better and it kind of

matches the shot more than it did same thing with all of these assets you do

need to put some work in to try and match the shot you can't just start off

with a flat image like this and hope it works you do need to put a little bit of

emphasis on maybe the dimensions or the highlights of the colors kind of note

what's around it the next thing I did was add a shadow for this tree since

again it looks odd without having one so the next thing I did was add another

Bush a shadow on it as well just to kind of match the drop shadow and the last

thing I did was add some more shrubs again they have got shadows on them to

try and much as if they sat in the scene I'm pretty happy with that overall it's

not too bad again you can spend more time and effort into making it look even

better but I think that looks pretty good so I'll just mute this now so this

is all we need we just go to file export as and I'm gonna export this and make

sure you save it as a PNG otherwise you won't get the transparency go ahead and

export so i've already exported this out you don't need to do it again go back to

blender and now the same thing we did with this one here we're going to do the

exact same thing so we could actually copy the nodes and select this image

here also this alpha over node shift D

let's drop this on here connect this up select the folder

icon

go ahead and open it up connect this up

and we also need this translate node here and this one here remember this is

the track position so just like both of these shift D and then let's just

connect this up replace this one so now these images will move with the

background so it's the same thing as this really there's a few more things I

want to add maybe out some birds over here same technique as I did in the

previous tutorial so if you follow along in that you already know how to do it

it's the same thing as what we did here with the horse kind of and then we add

one of the matte nodes just to get rid of most of the color and then we had box

masks just to refine that mask even more so it's pretty much the same thing as we

did with a horse I'm gonna do that with the birds over here had some birds and

then I also maybe add a boat in the distance it's the same thing just add a

boat with a mask again I'm gonna make sure I add the Translate node and track

position just to keep them all moving properly now there's a few final touches

and then call it done so I'm gonna do that now I'm going to speed through this

and come back with the the final result show you the nodes take screenshots of

all these nodes if you want to check them out so there's quite a few nodes

now I mean this crazy amount than there was before but I kind of break it down

for you this is what we had before almost let's fix that grading for this

so kind of this is what it was before and then why did is if you can see we go

down here I added in a few things so was a background image here it went all the

way over here so in between the background image

why did was I just add in another mix node the movie clip movie clip was then

transformed into a position so I can show you where how it looks

un-mute this so I added the the mix node then I did the movie clip then he added this

transform node just to put it in position then how did the translate and

the track position node just so it moves along with the footage I also animated

this so it starts off behind the behind here and then back by the end it's over

here and again we've done this improv before as well then why did I wanted to

add some distance or some some atmosphere so I went back to the movie

clip editor and then I created a new mask which is called mist and why did I

just traced around this rock here the same thing we did before traced around

all here and here and then I parented this mask

to this far tracker here so it

moves along so go back to the node editor so again right after the boat I

just added an RGB curves and then I plugged the mask this mist mask into the

factor so I've got unmute this now then what I did is I just dragged this point

up just a little bit so we get some distance here now so this building

stands back out so this building is on top of these this effect here so let's

go back to the building which is over here and then I added in RGB curves and

then again just increase this point up here press M to unmute it just kind of

match the distance or the mist looks pretty good I color corrected the horse

and the person let's see I mean it's not much difference but you can see it's

quite bright his armor that is quite bright so I just decreased this a little

bit so I did an RGB curves and just dragged it down a little just makes him

darker and then for the horse I did the kind of same thing with the horse kind

of made it dark hair and made it a little bit lighter so I was just unmute

this and see

it gives it a bit darkness and so I'm kind of fits it in there more

like I'm the majority of nodes are the movie clip a bit bit of color correction

and then transforming it that's all it is it's just us the same sort of setup

here with the birds I did some birds here just unmute this

just again same thing as we did in a previous tutorial where we added this

distance key I did a couple of box masks and then transformed it now I have these

birds down here which looks pretty good I decided to add that image that we

created towards the end and no specific reason just

repositioned it so then we have this and again I didn't color grade it I just

tracked the position and that's all i need's looks pretty good

and then finally why did is this kind of bloom effects all this sunbeams I added

a sunbeams node and a mix node but then changed its a screen and then later on I

did an RGB curves just to make it more contrast there but I just um you these

now I still gonna take a little bit longer but if I uh mute this and show

you the difference it looks okay as it is but I wanted more of a bright kind of

hazy scene I think that kind of does when it catches up might take a little

time to load that looks pretty good it's kind of fits the thing that I imagined

when I wanted to create this so I'm pretty happy with it overall once you

are happy again you can add some more color gradient I didn't really color

grade it since the shot was already calibrated and it looks okay but if you

want to make it more dramatic or you know make you change it completely go

ahead and do that once you're happy with it and you want to go ahead and render

it out go over here go down to output so we've set where we want to save this to

let's go down just change this from a JPEG either render out as a video file or

as an image sequence it's entirely up to you and render this out as a movie clip

and then finally we need to go to encoding change the presets I'm going to

choose h.264 in mp4 format which seems to work for me who works for Facebook

and YouTube and everywhere else I seem to upload it so it's that works well and

now we've got this we can go ahead and hit animation you create something and

you wanna share it with us be sure to check out our Facebook group go ahead

and post it or ask questions if you stuck or just join it and see what's

going on it's entirely up to you hopefully you enjoyed this tutorial and

if you did be sure to give a like as always thank you for watching and I'll

see you next time

For more infomation >> Blender Tutorial: Digital Matte Painting: Copse Cove [Node Editor] - Duration: 44:13.

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Collage digital para medios editoriales | Curso online de Israel García Vargas - Duration: 3:04.

For more infomation >> Collage digital para medios editoriales | Curso online de Israel García Vargas - Duration: 3:04.

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Marist Steel Plant: New Fashion and Art & Digital Media Building - Duration: 3:35.

It's been a really good evolution of the program academically.

In terms of expanding the curriculum over the years.

Building very strong majors in design and merchandising.

The team has been growing in terms of the educators.

The student body has been growing tremendously.

We're up to nearly 500 majors at this point.

And the Steel Plant is sort of the perfect missing piece.

Now the facilities will match the best in the world, in terms of other institutions.

Stem to stern, the building is everything we could ask for and everything that any fashion

or art student could ask for.

A critical element of the Marist education is what I call the practical application of theory.

Our students across every discipline don't just do book learning, you know learn the

concepts and the theories behind things, but they have a charge to practically apply that

in capping classes and internships and collaboration and research with faculty.

So when you think about a space like this and you think about the combination of these disciplines,

it's natural that you want to create a space that is more than just a classroom space

where you learn theory, but it's a practical space.

It's an application of theory space.

It's a place for innovation, experimentation, creation.

So we worked very hard.

Working with faculty, students, staff,

our architectural firm, to ensure that we had a space that reflected that, but also

tied itself to the history of the Hudson Valley which is what this building does.

The fashion program has reached these great heights without having the facilities that

really are equal to the work that they've done.

Now with this building, they do have a facility that equals the work that they do.

And our art students have done also remarkable work and now they have a space to inspire

them and to showcase what they do.

So it's just one of the great moments in our college's recent history.

It'll be really nice to have a place to call home.

And for students coming in to see such a great space and like such a way to communicate their ideas

properly, you really need a clean bright space just to think.

It's kind of like having a blank canvas if you think about it, and you can just put on

your creative ideas there.

That's when the ideas from your mind start being translated into a physical space.

I think one of the most important features of the building is that it's such a collaborative space.

The Winter Garden presents a beautiful inspiring area.

Wonderful cafe, easy access to all the technology labs that are downstairs, and the galleries

will be downstairs.

MPorium, which is the fashion program retail laboratory which makes great use of entrepreneurial

skills from the students, which has gone from a little kiosk type of business in our previous

location to a full on luxurious 5th Avenue ready sort of retail space.

I think there's a lot of opportunity within the building.

But I think it's also on the student to take advantage of that opportunity.

I like this program a lot because it's all what you make of it.

The more opportunity that you want to take on and the more opportunity that you see for yourself,

it's available now and more than ever before.

For more infomation >> Marist Steel Plant: New Fashion and Art & Digital Media Building - Duration: 3:35.

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GIRLFRIEND Jass Manak Lyrics Video Satti Dhillon Romantic Songs GK DIGITAL Geet MP3 - Duration: 2:17.

tkmr music

For more infomation >> GIRLFRIEND Jass Manak Lyrics Video Satti Dhillon Romantic Songs GK DIGITAL Geet MP3 - Duration: 2:17.

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Facebook Is a 'Digital Gangster' - Duration: 0:59.

(upbeat music)

- Hi I'm Dan Bova and here are three things

entrepreneurs should know today, February 18, 2019.

Today is President's Day, and a good time

to reflect on our first president George Washington's

wise words as we strive for excellence.

He said, in part, "Human happiness and moral duty

are inseparably connected."

In a 108-page study of Facebook's

privacy and advertising practices,

British lawmakers declared that the social media behemoth

behaves like quote, a "digital gangster."

Let's end on a classy note: It's still early,

but I think we may have a winner

of the salesman of the year award.

Mark Wilkinson, a specialist at Sworders auction house,

sold a stuffed whale penis for $6,000.

I hope the whale get's a piece of that action.

Have a great day!

For more infomation >> Facebook Is a 'Digital Gangster' - Duration: 0:59.

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How your digital life impacts insurance costs - Duration: 3:55.

For more infomation >> How your digital life impacts insurance costs - Duration: 3:55.

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Digital Update 2/18/2019 - Duration: 2:27.

For more infomation >> Digital Update 2/18/2019 - Duration: 2:27.

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7 Steps to Power Up Your Small Business Digital Marketing | Perry Alexander - Duration: 7:33.

Just running a small business is hard enough—right?

But what about your marketing?

Is your head spinning with all the things

it takes to really be effective online?

Are you overwhelmed with the work it'll probably take?

So, you throw up your hands, just stay put

with your website and a nearly dormant

Facebook page, and call it good?

What are you getting from it? Almost nothing—right?

Well, if that's the case, stay with me, because we're

going to walk through seven steps to get your

small business online marketing tuned up, in short order.

To really move the needle, you'll need to add more to the mix.

It won't cost you much at all, but it will take dedication,

time, and persistence. Take them, one at a time,

and keep chipping away. You'll see things begin to happen.

Hi, I'm Perry Alexander, and today, I'm going to share with you

my seven basic digital marketing strategy tips.

Before I dive in, make sure you subscribe to this channel—

and hit the bell icon to be notified

when I share more videos about digital marketing.

Sometimes, new marketers can get ahead of themselves—

tempted to jump into advanced tactics, without building

a good foundation and full understanding of how things

mesh together for a solid digital marketing strategy.

So, tell me, are you getting all you want from

just having a website and maybe a Facebook page?

If you are, leave a comment that says "yes."

If not, leave a comment that says "no," so I can

focus my future videos to help get where you want to go.

And, let's get started.

Number 1: Before you do anything else,

give a lot of thought and get crystal clear, in your own mind,

about all the things that really set you apart from everyone else.

And, then, distill that down to a few sentences

that just roll off your tongue at a moment's notice.

This is your Unique Value Proposition, or UVP—

and it's fundamental. It's your "elevator" speech.

Get your UVP down pat, and your

messaging will be more consistent and powerful.

2: When you've built a list of customers and contacts, find out

what they like and what they'd like to see improved.

Use a free tool, like SurveyMonkey, to ask them a few questions.

Have them rate your product offerings and customer service,

and maybe the website itself.

This can really help to refine your UVP, that I mentioned earlier.

3: You have to prioritize your digital marketing goals.

What do you want more of?

Leads? Inquiries? Name recognition? Online sales?

Profitability? Overall revenue?

If it's more leads, for instance: add a form to your website that pops up,

where you offer something free in exchange for an email address.

HelloBar and others have free tools to do just that.

I've posted a link below.

Prominently link from your website to your YouTube channel

and your latest social media post,

and ask for likes, follows, shares, and comments.

The simple act of asking

significantly raises your chances of getting them.

If your goal is to get more online sales,

take a hard look at your site's shopping experience.

Is it a chore to navigate? Confusing? Are the descriptions complete?

Is your check-out process a hassle? Is your return policy easy to find?

Do you offer free shipping? How about delivery times,

after-sale follow-up, and customer service?

You might even consider partnering with Amazon, Etsy,

or another consolidator, depending on what you're selling.

Each goal requires its own strategy and set of tactics.

4: Leverage your website and social media.

If your last Facebook post was three years—

or even a month ago, you need new content!

Add fresh, new material through blog and

social media posts—once a week, if you can manage it.

And when you research keywords that people are using to find you,

make sure those words and phrases are included in your posts

and particularly in your headlines.

UberSuggest is a great, free, SEO keyword research tool.

I've posted a link below.

And, to analyze how your own site content is doing,

be sure to connect the free SEO Google tools to your site,

called Google Analytics and Google Search Console.

5: Make sure your blog and social media posts are all about

useful information on topics you know inside and out,

and resist the temptation to jump into a heavy-handed sales message—

but do include a call to action—like asking people to subscribe, comment,

or share your post, and offering something free

in exchange for their email address.

You'll build trust and authority with a steady diet of actionable,

free content, and people will naturally come back for more.

Inevitably, some of them will contact you

about purchasing your products or services.

6: Make videos. Do a short home-page video,

with a brief welcome message, and maybe share your business philosophy,

and mention a few things they shouldn't miss on your site.

It shows your personality and how you do business.

You'll build trust, and people will stay on your site longer.

Launch a separate and ongoing series of helpful videos

on your area of expertise, and make sure you

create a YouTube channel, which is so important

to building your audience and your Google search ranking.

And, your videos don't have to be highly polished.

Even make your first few videos on your phone.

Again, go heavy on information about your topic,

and ease off on the selling.

And, as always, include your keywords.

When you also post your videos on Facebook and

other social media, don't just link the videos from YouTube.

Rather, individually upload them to each platform, for better ranking.

And—this is really important—

Google or Facebook can't search a video for keywords,

so always include a transcript of your videos.

Don't depend on the automatic transcription—

Google doesn't give those much weight,

because it's usually only about 60% accurate.

7: This is all great in theory, but you have to get started, and stick to it.

Your digital marketing can produce great results at very little cost,

but you have to put the work in, and you can't let up.

But, sometimes the toughest part is to just get started!

You've got to devote the time and effort—

or bring in an expert to get things set up

and help you manage and produce it all.

So, let's review the seven basic steps

to power up your digital marketing.

1: Establish your Unique Value Proposition—or UVP.

2: Survey your customers and contact list to learn

what they love and what to improve.

3: Prioritize your digital marketing goals, so you can build a solid strategy.

4: Leverage everything with keywords.

Use free tools to understand the keywords and phrases

that are likely to produce results for you,

and pepper them throughout your content.

5: Load up your blog, social media, and video content

with useful information, and barely touch on a sales message.

6: Tap the power of YouTube as a place to ramp up

your following and recognition of your authority.

7: Get started! It doesn't cost much at all,

but it takes consistent effort over time.

While these seven steps are a solid start,

there are plenty of other ways to power up your

digital marketing strategy even more.

So, if all this sounds inspiring, but feels a little daunting—

or maybe a lot—check out my digital marketing company website

and let's talk about how we might work together

to get you on the right track and lighten your load.

Thanks for watching. And, if you liked this video,

please subscribe, hit the bell, tell others about it, like it,

and leave a comment below or even a quick question,

and I'll be sure to answer.

For more infomation >> 7 Steps to Power Up Your Small Business Digital Marketing | Perry Alexander - Duration: 7:33.

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Digital data protection impact assessment (DPIA) tool - Local Digital Fund project - Duration: 2:28.

Hi, I'm Phillipa Nazari and I'm from the Greater Manchester Combined Authority.

The project that we're collaborating on is a digital data protection impact

assessment. The outcomes of project that we're hoping to achieve is a digital

approach to data protection impact assessments that can be used by lots of

different organisations, so local authorities, charity and voluntary sector,

that would be a scaleable solution that could be used nationally basically,

that's the ambition. The problem is there's no consistent ways

of working - DPIAs are usually (Data Protection Impact Assessments)

are usually paper based, so we're talking about word documents, PDFs,

and they are differing in style, in templates - they don't essentially capture

the right thing. I think the biggest problem is they are not a useful and

effective business tool. There's a lot of useful things that can be derived from

doing a data protection impact assessment in terms of informing risk

level for your organisation - where things keep cropping up, perhaps where

you might want to put these resources in mitigating some of those risks more

broadly, and also management information. And from a perspective of when you're

looking at people's personal information, it's around providing that

assurance as well. And if you have a digital tool around that, you can push

some information out to the public and citizens that can assure them that

you're taking their privacy really seriously. I think the impact would be a

sort of really big scaleable buy-in to people working the same way and as much

as that is about a system, it's also about culture change and us realising,

everyone realizing that privacy is not just about the information

governance leads or the data protection offices responsibility, but actually it's

responsibility of everyone at all levels in the organisation. And so

for me, a DPIA being part of and that tool being part of project initiation,

and having project managers and project officers really getting hold of this

and driving it forwards would be an absolutely great outcome for us.

Hopefully, that consistent ways of working can

have absolutely massive amounts of benefit, and that the

collaboration around that is not just around looking at councils and

inwardly, but also more and more about who we're working with and partnering

with to deliver public services more broadly as well.

For more infomation >> Digital data protection impact assessment (DPIA) tool - Local Digital Fund project - Duration: 2:28.

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Registration services data – unlocking local government opportunities - Local Digital Fund project - Duration: 1:12.

Hi, my name is Neill Crump, I'm from Worcester Office of Data Analytics. Well, if

we think about the users, there's lots of different types of users. We want to give

them either birth data, marriage data or death data, so that they can better

deliver services. So, to give an example, it could be a social worker because they

could be concerned about safeguarding, or it could be revenues and benefits because

they're concerned about fraud, or it could be a lead commissioner for

children's services so they can better commission those services. It's really

important because it's about sharing that data, so that we only have to

capture it once and then we can use it. And secondly, it's of national significance

because everyone gets that data, so what we do in Worcestershire can be

replicated elsewhere. Other councils can learn, basically the savings like

efficiency savings, they can learn and they can come and input, actually, and

give us ideas about how they use it currently, so they can then learn from

others as well because it's all about that collaboration.

For more infomation >> Registration services data – unlocking local government opportunities - Local Digital Fund project - Duration: 1:12.

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Відеорезюме. Літковець Ліза. Digital аналітик. Стажер 1+1 Media. - Duration: 1:21.

For more infomation >> Відеорезюме. Літковець Ліза. Digital аналітик. Стажер 1+1 Media. - Duration: 1:21.

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Taxi licensing applications – fixing complexity, inefficiency and risk - Local Digital Fund project - Duration: 1:32.

My name's Elaine Rudman. I'm a service manager at Gateshead council and one of

the things that I look after is licensing. The project that we're looking

at is tackling complexity and risk in taxi licensing applications.

The problem that we're trying to solve is the lack of digital solutions. The

taxi licensing process is complex, it's outdated and it's largely paper-based,

so we're looking at digital solutions. The reason that this is important is

that public safety is the real priority with taxi licensing. Freeing

up the time that's spent carrying out administrative tasks will go a long way

to freeing up staff to do the important enforcement work that delivers on

protecting public safety. There are probably a lot of barriers that we need

to break down. Traditionally, the taxi trade are reluctant to engage in a

digital way, so anything that we learn from this process, we really want to

share with other local authorities.

For more infomation >> Taxi licensing applications – fixing complexity, inefficiency and risk - Local Digital Fund project - Duration: 1:32.

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An Introduction to Digital Radiophonics - Duration: 3:52.

An excerpt from Bakerlike, a tune from long playing record the lighter side of

concrete. Recently, a number of people have asked exactly how the music was

created. Rather than using traditional synthesizers, all of the pieces were

built up from recordings of household objects being struck, plucked, or in some

cases blown. Here for example we have the sound of a wooden ruler plucked against

the edge of a coffee table.

A bass guitar sound can be created by striking a piece of plastic tubing such

as that employed - usually unsuccessfully - to hold a settee cover in place.

In order to build musical pieces, the sounds must first be recorded either

on to tape,

or computer via a digital sampler.

To create different notes, taped sounds can be played at different speeds and

captured on another recorder. A sampler, on the other hand, will automatically map

the sounds across a piano keyboard. Here we have a chord built up from the sound

of a finger traveling around the rim of a wineglass. Sounds can be left in their

raw state or treated in a number of ways: for example, detuning.

Here, a rubber band applied to a baked bean tin and subsequently plucked sounds quite

unremarkable. Take the sound down a few octaves

and we have a cracking set of timpani.

A filter can be used to change the tone, or augment higher frequencies through

the addition of resonance. Listen to this electric hair clipper.

The sound of a cork leaving a wine bottle can be used in a number of

applications, especially if the sound is enhanced in some way, for example, by the

addition of electronic echo or reverberation. Sounds can even be

reversed. A pan lid becomes a dil nap. Using a multitrack recorder sounds

can be layered to produce everything a musical piece requires: chords, basslines,

melodies and rhythmic patterns. I hope you enjoy the album

For more infomation >> An Introduction to Digital Radiophonics - Duration: 3:52.

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How Michaels built a digital community of makers with TokyWoky - Duration: 1:23.

TokyWoky is a solution that allows

brands and retailers to build a

passionate customer community that is going to help and advise

hesitating shoppers directly in their online store

by a live chat. Basically, at TokyWoky we

are quite proud to build organic communities. By organic,

I mean real passionate customers that are not paid to help other customers.

If you take the example of Michaels, which is the largest arts & crafts

retailer in the US. They have thousands of customers that are passionate

crafters or knitters and these customers are very happy to spend

one hour, two hours, every day helping hesitating shoppers that are lost

in Michaels' huge catalog.

Microsoft is actually quite important for us.

The first reason is that

TokyWoky peer-to-peer Live Chat is by essense a live solution

so we're getting hosted on Azure, Microsoft's hosting solution

that provides us an amazing hosting solution where there's never any kind of default

or lagging which is essential when you provide live interaction

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