Auto news on Youtube Dec 29 2018

How to paint a landscape in Photoshop

In this video I will show you the process of painting a landscape in Photoshop.

We will be painting a landscape with mountains and a beatiful colored sky.

I'll use a chalk like brush to paint in a background color first.

I will also lay down the basic shapes of the mountains.

You can keep the painting rough and loose at this point.

Just think about the basic shapes and the composition.

To make separating these mountains easier during the painting process, we'll 'cut' them out.

Make a new layer

First we'll select the mountains way in the back using the lasso tool.

Once you have selected the mountains, fill the selection on the new layer.

We'll do the same for the other mountains, working from the back to the front.

Each mountain will have a layer of it's own.

This is very handy, because you can click on the layer thumbnails

while pressing CONTROL to select the mountain you want to paint on.

You won't be able to paint outside of the selection, so your edges will stay nice and sharp.

Let's select the mountain in the back.

Hold Control on your keyboard and click the layer thumbnail.

Now we can paint inside the selection.

We'll do this on a new layer above all the others

You want to get rid of those marching ants?

Press control plus H on your keyboard to hide them.

We'll paint the basic form of the mountains, adding the suggestion of snow and some rough texture.

Let's move to the sky for now.

We'll start refining the sky on a layer below the mountain layer we were just painting on.

If we would paint on a layer above it, we would easily be painting over the mountains and we don't want that.

We want the edges of the mountains to stay nice and sharp.

Time to start refining the mountains some more.

We'll use the selection trick again.

I'm paying more attention to the lighting and texture for this pass, slowly building up some detail.

Using my Basic Flo brush, I'll add more detail to the sky.

The Basic Flo brush is a round brush with slightly ragged edges and opacity set to pen pressure.

Check out my other video if you want to learn more about painting clouds.

Using a layer set to Overlay, I add more vibrant colors to the sky.

I also add warm and cool tones to the mountains.

The parts that are in shadow will have more cool tones, so I glaze over some blues.

Next I will add a Multiply layer, I will use this layer to add more contrast to the mountains and refine the shadows.

Time to add more texture to the mountains, I will do this on a new layer and use my Chalky Sketcher brush.

You can download this brush for free on my Gumroad page, I will leave a link in the description.

Keep building up those details and textures, till you're happy with your landscape.

You can do it!

Have fun painting landscapes in Photoshop.

Don't forget to give a thumbs up if you liked this video and I will see you next time!

For more infomation >> HOW TO PAINT a landscape in Photoshop | Digital Art Tutorial - Duration: 7:18.

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HOW TO DRAW EYES with different expressions | Digital Art Tutorial - Duration: 6:26.

In this video we will be drawing eyes with different expressions

Eyes can be so full of expression and personality.

Even when you don't see the rest of the face, the eyes can tell a lot about the emotional state of the subject.

We will draw four different eye expressions in this video.

We'll start off with 'smiling' eyes.

I'll fill the entire canvas with a basic skin tone before I start making a sketch.

While sketching, I'll continuously measure everything in my mind, comparing shapes and angles.

But sometimes I use a line on a separate layer to measure.

I'll check if the eyes are about the same size.

While I'm in the sketching fase, I can easily adjust things

Drawing something in a realistic way is all about observing

what do you see when you look at the eyes of someone who is smiling?

What makes the eyes different from eyes with a neutral expression?

Smiling eyes can get a little wrinkly and the eyes are squinted a bit.

The result is that you won't be able to see that much of the iris or the white of the eye.

The eyes can become thin slits.

You will still be able to see the full, round form of the eyeball though.

You can see it behind the 'bags' under the eyes.

Think of what you see while painting your subject.

Where do you see shadow areas?

Because the underside of the eye is a bit puffy, you will find a shadow at the lower part.

Also notice, how the eyebrows stay in place, in a mostly horizontal line.

The next expression will be kind of a 'begging' expression.

That look you get when you ask Santa if you can please have an iPad Pro.

Try making that expression yourself.

You can feel your eyebrows moving, right?

They will curve up like this.

I like starting off with the eyebrow curve for more extreme eye expressions.

You can see how all the lines tend to go to the middle and up.

Even the line directly above the eyes.

It looks a bit like drapes, getting lifted at on point in the middle.

It's good to observe your subject this way, don't just draw with your hand, but with your mind as well.

Really think about what you are seeing.

For each eye I follow the same steps when painting.

I start off with a sketch, then I make a layer below the sketch layer and fill it in with base tones.

I already decide where some shadow areas should be at this point.

Next I'll lower the opacity of the sketch layer and start working on layers above the sketch layer.

I use a normal layer, an Overlay layer

a Multiply layer, a Screen layer and then finally a normal layer again for the final tweaks and details.

The next eye expression is one of slight distrust.

Maybe you'll have this look when you have the feeling someone is tricking you.

One eyebrow will be lifted and the eyes will look to the side.

I will draw the 'flow' of the eyebrows first again.

Using the eyebrows as a reference point, I will sketch in the eyes.

Notice how the left eyebrow moves down a bit and the right eyebrow curves up on the right side.

With this eye expression we'll see a lot of white of the eye.

BUT! Remember from my other videos, the white of the eye isn't white really.

I use a warm grey to fill this area.

To add color to the skin and eyes, I like using an Overlay layer.

I glaze over the skin with oranges and reds.

The last eye expression is one of great surprise

When you're surprised, your eyebrows will lift up quite a bit and your eyes will be spread wide open.

I'll start off with a sketch again.

I'm keeping in mind that there should be a big distance between the eyebrows and the eyes.

I'm using the eyebrows as my anchor point again.

It'll help me decide where to place the eyes.

The eyes will be very round, you will be able the see the roundness of the eyeball very clearly with this eye expression.

I will use an Overlay layer again to add more color variation and give this skin some warm tones.

You can see that with this eye expression, the lower eyelids look a bit like the upper eyelid, they really stand out.

Light will hit on the upper eyelids, so they will be brighter.

The lower eyelids will have a shadow.

Go and practice drawing expressions yourself!

Use a mirror as reference or find some photos. Remember to observe and think about what you're seeing.

I'm sure you can do it! And if you have any questions, feel free to ask!

If you liked this video, don't forget to give it a thumbs up.

I really appreciate it if you do.

I wish you a wonderful day and I hope to see you in my next video!

For more infomation >> HOW TO DRAW EYES with different expressions | Digital Art Tutorial - Duration: 6:26.

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Register for our webinar: Plan Your Best Fundraising Year with These Digital Tools and Tips - Duration: 6:54.

Hello everyone! Elizabeth here with Foundation Center and I'm joined today

by Michael Stein director of partnerships at Every Action. He'll be

our presenter for our January 10th webinar or where we will be discussing

how to plan your best fundraising year. So firstly I wanted to say thank you

Michael I'm so glad you were able to join us today .Thank You Elizabeth it's

my pleasure to be able to join our guests in January. Yeah, great to have you

back yet again Michael is one of our go-to instructors when it comes to

anything digital. So as we get to know your expertise a little bit better I

wanted to ask you Michael why is creating a balanced

communications plan so important when it comes to fundraising? Well I think the

balance is just critical to provide kind of a broad range and types of engagement

with with people and you can't fundraise from people all the time asking for

money all the time and likewise you can't just keep sending people

newsletters. So it's really the the variety of material which is designed to

engage people, show them the different facets of your work

so that that word engagement is a very broad term but it's really intended

to to pull people in so whether they're a volunteer, whether they are a donor, they've

come to your events you know you're you're really trying to present you know

a broad array of material and so really the balance is about keeping people

interested in seeing that you're a well rounded organization and that you know

at the end of the day being a donor can interconnect with with all the other

activities of the organization. So that when you do have your fundraising asks

that it will blend smoothly you know with the rest of the organization's work

and hopefully kind of really connect and make sense for, for your donors.

I I think that's a really great place to start. Um, speaking of starting, I wanted

to ask: what's one thing that participants will be able to start doing

right after the webinar? You'll, we're gonna talk about you know actually

setting up different schedules and different forms of engagement so what's

one thing that they should definitely be able to do to get started?

sure well we're doing the webinar in January which I think is a good a good

time to do it because it allows us to look ahead into the year and so my

favorite thing to ask people to do is to make is to make a plan for the year and

we'll spend you know first the first part of the webinar kind of talking

about you know what does a plan look like? And that connects with your first

question about the the balance. So the plan you know shows not just when you're

going to fundraise but it also has your events it has your various seasonal

activities, it has different types of cultivation, all things that you're going

to be doing. And it allows you to sort of see holistically how the engagement

process is going to work. So to answer your question again you know that having

a plan I think is one of the one of the top outcomes that I'd love webinar

participants to have from from the experience. Yeah, yeah definitely some

very practical tips that Michael's going to give as well as a couple of templates

um of you know just ideas to get started on actually planning these events. So I

wanted to ask you Michael: what is your first hand experience with developing

fundraising plans? Well I spent the last eight or so years you know working at a

direct response agency that focused on fundraising, Mal Warwick Donordigital,

which is has offices in Berkeley California and DC and so my role there

was to manage fundraising campaigns for some of the the US's largest nonprofits

and lots of mid-sized organizations as well. So we dealt, so we basically were

creating fundraising plans and integrating them with other channels of

fundraising that were happening in these organizations and

and also helping to put together the fundraising campaigns themselves writing

writing copy, doing design, and working with designers. And then also working on

digital platforms to put them together and then of course managing a schedule.

So all that kind of practical stuff was really the my bread and butter so to

speak for the last decade or so and one which you know gave me a lot of really

practical experience you know with the everyday life of managing fundraising.

So definitely a lot of the higher-level but also the day-to-day. I know you're always

full of stories and first-hand accounts so I look forward to those as well.

and as our audience continues to get to know you I wanted to ask you if you've

read anything good lately?

Yeah there's always a lot of stuff to read. Here I will just quickly lean down

and grab a copy of one book that I've read recently that I would love to

recommend to folks which is I hope people can see this up here on the

screen is the book is called the Digital Plan, so very appropriate to our topic

and it's written by my good friend Brad Schenck who's based out here in the San

Francisco Bay Area and it's a terrific book on strategic guidance and planning

for all things digital dealing with the web, email, social media and Brad also you

know offers a wonderful series of learning webinars and other things that

people can take advantage of. So anyway: the digital plan by Brad Schenck really a

terrific read and it's only giving me lots of practical practical ideas for

how organizations and nonprofits can supercharge you know their their digital

work for fundraising, cultivation, and donor engagement. Continued learning! I

very much appreciate that, Michael. It looks like you very much love your work

if that's what you're reading when you get home in the evening. With that I

wanted to say thank you so much for sharing your expertise with us today! I'm

excited to actually jump in to the tactics and tools to create that plan

for everyone's year fundraising, their

next year of fundraising. We do have early bird pricing through January 4th

so register today to take advantage. Remember all registrants will receive a

recording of the webinar to watch and re-watch on their own time. So with that

thank you so much everyone! Take care. Thank you. See y'all soon. Bye-bye.