Thứ Ba, 31 tháng 10, 2017

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The most interesting thing that I found in my historical research was at the

Louvre and there is a bronze statue of death that was originally in the

Cemetery the Innocents surrounded by that fresco of the Danse Macabre. The

statue is bronze, he's got an arm raised menacingly, I think probably a spear, or a

sword, that's what he was holding and if you did not know where you were, in the

medieval sculpture section of the Louvre, you would think that it was a special

effect from a modern zombie film. It actually looks like the walking dead

back to life. And so I think one of the things that we find when we think about

this phenomenon, is that all of our art and culture is a part of the process

that we use to make meaning. We make meaning through religion and

through our wisdom traditions, but we also make meaning, consciously or

unconsciously, through the stories that we consume and this story about zombies

is as Evan Calder William says: the nightmare image of the day. Because it's

the nightmare image that we need. And strangely enough, it also seems to be

this kind of reaction of the human immune system, to put death front and

center in these times when we feel like we're already surrounded by it. And in

some way, that helps us to cope with it a little bit more powerfully.

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